José Román

A former public-services worker wants to return to his job. In the attempt, he meets wandering people, who seek "parallel ways" of survival in a chaotic socio-political context in Chile, after the 1973 Coup d'état .

In 1958, filmmaker Sergio Bravo bought a sack of old film reels on the street—material destined to be turned into hair combs. The sack contained seven 35mm nitrate reels of the film "El húsar de la muerte" (1925), directed by Pedro Sienna. Leading researchers and guardians of the country's film heritage recount, from various perspectives, the story of a discovery that changed the course of Chilean cinema.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.

A documentary about the activities carried out by the Group of Relatives of Disappeared Detainees: We see presentation of writs of protection, reports, criminal actions, hunger strikes, pacific protests, public acts. The place where minors, the children of missing detainees, are rehabilitated is also shown. Finally, an account about some members in the group is given before international Human Rights organizations.

A report on the life of coal miners in the Lota region, in southern Chile, it shows their work activities, their homes, and how the rest of the family picks up coal in the seashore. This documentary is part of a series José Román made with CUT (Central Workers Union), whose negatives got lost during the raids on CUT offices after the coup d’état.

Ninón, singer, decides to escape from her frustrated love life, and leaves in search of an old love, finding on the way Alberto, who is on the run from the police

An intense religious drama set during the Pinochet regime and based on a true story.