Sebastián Pereira

Two filmmakers propose to Cristián Sánchez, a cult Chilean director, to make a film. The condition is that he resurrects the characters of his classic works, but in the form of zombies. He fights to protect his artistic principles but ends up trapped in his own film.

During fishing season, two men share a ranch and a closeness neither can name. The tension between them grows until it shatters the fragile peace that binds them together.

With the Kafkaesque phrase "he who does not seek does not find, but he who does not seek is found", Sánchez begins an episodic story scripted and filmed in only 27 hours where there is virtually a single location that resembles, in a very stylized way, a prison. From there, Alejandro, a young lumpen, interacts with various characters that burst into the space, generating situations that allude to his minimal survival, reselling or exchanging objects. Voy y vuelvo is verbally organized with an anthropological approach, with the same interest of the director for the Mapuche dialect in Cautiverio Feliz and in Date una vuelta en el aire, and from there incorporates elements of popular culture and the notion of purgatory as a recurring figure.

A teenager falls in love with the mother of his best friend. Paranoid, he will imagine that her husband, stepfather of his friend is chasing him. For a school assignment he meets Jose, an Ecuadorian illegal immigrant musician.

A documentary comedy that reveals, with humor and great honesty, the unexpected journey of La Patogallina: putting together its first Shakespeare-inspired TV series, while everything seemed chaotic. Amidst parades, bruised egos, broken romances, and endless rehearsals, this documentary shows how a group of artists decided to laugh at the end of the world and turn it into an unforgettable show.

Two filmmakers propose to Cristián Sánchez, a cult Chilean director, to make a film. The condition is that he resurrects the characters of his classic works, but in the form of zombies. He fights to protect his artistic principles but ends up trapped in his own film.

Two filmmakers propose to Cristián Sánchez, a cult Chilean director, to make a film. The condition is that he resurrects the characters of his classic works, but in the form of zombies. He fights to protect his artistic principles but ends up trapped in his own film.

During fishing season, two men share a ranch and a closeness neither can name. The tension between them grows until it shatters the fragile peace that binds them together.

With the Kafkaesque phrase "he who does not seek does not find, but he who does not seek is found", Sánchez begins an episodic story scripted and filmed in only 27 hours where there is virtually a single location that resembles, in a very stylized way, a prison. From there, Alejandro, a young lumpen, interacts with various characters that burst into the space, generating situations that allude to his minimal survival, reselling or exchanging objects. Voy y vuelvo is verbally organized with an anthropological approach, with the same interest of the director for the Mapuche dialect in Cautiverio Feliz and in Date una vuelta en el aire, and from there incorporates elements of popular culture and the notion of purgatory as a recurring figure.

A teenager falls in love with the mother of his best friend. Paranoid, he will imagine that her husband, stepfather of his friend is chasing him. For a school assignment he meets Jose, an Ecuadorian illegal immigrant musician.

A teenager falls in love with the mother of his best friend. Paranoid, he will imagine that her husband, stepfather of his friend is chasing him. For a school assignment he meets Jose, an Ecuadorian illegal immigrant musician.

A teenager falls in love with the mother of his best friend. Paranoid, he will imagine that her husband, stepfather of his friend is chasing him. For a school assignment he meets Jose, an Ecuadorian illegal immigrant musician.

A documentary comedy that reveals, with humor and great honesty, the unexpected journey of La Patogallina: putting together its first Shakespeare-inspired TV series, while everything seemed chaotic. Amidst parades, bruised egos, broken romances, and endless rehearsals, this documentary shows how a group of artists decided to laugh at the end of the world and turn it into an unforgettable show.

A documentary comedy that reveals, with humor and great honesty, the unexpected journey of La Patogallina: putting together its first Shakespeare-inspired TV series, while everything seemed chaotic. Amidst parades, bruised egos, broken romances, and endless rehearsals, this documentary shows how a group of artists decided to laugh at the end of the world and turn it into an unforgettable show.