Hernán del Riego

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

Two strangers experience the magic of their unexpected connection one night in Mexico City.

Two lonely people cross paths while working in a coffee shop. Even with opposite personalities, they both want to move forward with the business which they use as a conduit to heal their wounds, even though they know nothing about coffee.

Fausto and Esther childhood was tormented. Fausto, trying to escape from his father. Esther, mistreated by her brother-in-law. They both begin to be involved in a supernatural situation. Over which they have no control.

Diego and Mirko, initially rivals, become close friends and form a club with the most eccentric students in their class, united by their shared mission to steal exams. As they devise and execute a complex and risky plan, their bond deepens, forging a relationship that will shape their futures.

A group of four siblings compete for the heritage of their father.

In Tijuana, Mexico, Gabriel is a man who once had a normal and happy life alongside his family. He now seeks revenge for the murder of his son at the hands of a group of vampires that roam the city at night, stalking its inhabitants. Gabriel's days blur into one another as he tries to track down the murderers he calls "leeches", without knowing that his revenge will bring serious consequences for his wife and himself.

In 1929, during the Cristiada, Ranulfo, captain of the Cristero army, kept a federal prisoner, whom he tortured and threatened. At another time, Eugenio, captain of the federal army, rebukes and mocks the faith of a group of Cristeros peasants who are weak but not defenseless.

On his 57th birthday, a man decides to do what is necessary to redeem a lifetime of hunger.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it. When the father (Damián Alcázar) loses the money to pay for the musician, mayhem ensues. The film itself is made to look like a videotaping of the wedding, revealing who's responsible for the crime.