Marilyn Watelet

Production

Marilyn Watelet

Acting credits

Family Business poster
7.2

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.

Family Business

1984

Chantal Akerman: Always on the Road poster
8.0

An analysis of the work of Belgian filmmaker Chantal Akerman (1950-2015), an experimental and innovative artist, both in content and form, who has left her mark on cultural memory and on the creations of other artists.

Chantal Akerman: Always on the Road

2024

Knokke: Une petite fiction 2 poster
5.2

A 3rd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS starring her friends her mother and herself.

Knokke: Une petite fiction 2

1967

Bruxelles: La soeur et la mère de Marilyn poster
5.5

A 4th short super 8 film made by Chantal Akerman with her friends in Brussels, shot in front of the former Hotel van Cleve-Ravenstein coincidentally the place where now CINEMATEK and the archives of the Chantel Akerman Fondation are residing.

Bruxelles: La soeur et la mère de Marilyn

1967

Around Jeanne Dielman poster
6.0

During the filming of "Jeanne Dielman" Sami Frey recorded what was happening on the set. A film about a film in the making.

Around Jeanne Dielman

1975

Knokke: Une petite fiction poster
5.2

A 2nd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS.

Knokke: Une petite fiction

1967

Examen d'entrée INSAS poster
6.0

The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Super 8 during the summer, presented to enter the National Higher Institute of Performing Arts and Broadcasting Techniques (INSAS, Brussels) in September 1967, where she was accepted.

Examen d'entrée INSAS

1967

Behind the camera

Toute une nuit poster
6.5

Following over two dozen different individuals in the almost wordless atmosphere of a dark night in a Brussels town, acceptance and rejection in the realm of romance is examined.

Toute une nuit

1982

Tomorrow We Move poster
5.9

Single woman Charlotte tries to write erotic fiction despite not having any sensual experience.

Tomorrow We Move

2004

American Stories: Food, Family and Philosophy poster
5.8

An exploration of Jewish American identity in a multilayered portrait of the immigrant experience. A series of first-person addresses delivered by a cross-section of Jewish New Yorkers, whose by turns tragic and humourous tales speak to a collective history of trauma, displacement, and resilience.

American Stories: Food, Family and Philosophy

1989

The Eighties poster
6.1

All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.

The Eighties

1985

No artwork available
NR

A short documentary on the fabulous courthouse building in Brussels from the architect Joseph Poelaert, temporarily a house of dreams structured in 26 bits, 1 for each letter of the alphabet, from A-Z.

The Palace of Wonders

1981

No artwork available
NR

A portrait of daily life in Cuba in the late 1990s,

Fin de Siglo

1995

Black Metal poster
NR

An overview of black metal culture in Belgian youth.

Black Metal

1998

No artwork available
NR

A short documentary on the creation of the fresco by Alba Fabre Sacristán paying homage to Chantal Akerman's Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles. Made by Akerman's childhood friend and longtime collaborator Marilyn Watelet and also co-writer and assistant director on the iconic film.

Jeanne Dielman, 6 quai aux Barques, 1000 Bruxelles

2024

Brussels-Transit poster
6.6

A family of Polish-Jewish refugees arrives in Brussels in 1947 to navigate the challenges of postwar survival. Guided by a maternal voice-over, the narrative tracks their daily struggles with poverty, housing, and obtaining legal residency permits. Through staged, static tableaus, the film records these everyday bureaucratic and living conditions.

Brussels-Transit

1982

No artwork available
NR

They want a great man. They talk about it, about him, about the one they're looking for. And I don't tell them everything you're not, and I drink to stop looking for the man they're looking for.

Tall on my own

2005