Senem Tüzen

Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.

Two Istanbul thieves rob the house of prominent jeweler and make off with millions of lira in jewelry and cash. Back at their safehouse, they get little sleep after tensions rise over how they’ll divide the loot. In the morning, the matter is decided.

A short film about the responsibility of fiction.

New Yorker Kathryn has the deadly disease ALS and is completely paralyzed. She can only communicate by pointing out letters with her eyes on a special keyboard and she needs 24-hour care. It’s a horrific situation that Kathryn puts into words incisively and pragmatically. The only reason she hasn’t asked to be taken off life support yet, she says, is that she isn’t ready to say goodbye to her children. She wants at least to experience her daughter Minou’s wedding day.

In her dream her father is there caressing her hair. She wakes to a hard day. Her mother's milk has dried up and her young brother is sick. She needs to go fetch some milk. This is the story of Emine, set somewhere between a village and a town, herself between childhood and womanhood.

Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.

Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.

Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.

Two Istanbul thieves rob the house of prominent jeweler and make off with millions of lira in jewelry and cash. Back at their safehouse, they get little sleep after tensions rise over how they’ll divide the loot. In the morning, the matter is decided.

A short film about the responsibility of fiction.

A short film about the responsibility of fiction.

A short film about the responsibility of fiction.

New Yorker Kathryn has the deadly disease ALS and is completely paralyzed. She can only communicate by pointing out letters with her eyes on a special keyboard and she needs 24-hour care. It’s a horrific situation that Kathryn puts into words incisively and pragmatically. The only reason she hasn’t asked to be taken off life support yet, she says, is that she isn’t ready to say goodbye to her children. She wants at least to experience her daughter Minou’s wedding day.

New Yorker Kathryn has the deadly disease ALS and is completely paralyzed. She can only communicate by pointing out letters with her eyes on a special keyboard and she needs 24-hour care. It’s a horrific situation that Kathryn puts into words incisively and pragmatically. The only reason she hasn’t asked to be taken off life support yet, she says, is that she isn’t ready to say goodbye to her children. She wants at least to experience her daughter Minou’s wedding day.

In her dream her father is there caressing her hair. She wakes to a hard day. Her mother's milk has dried up and her young brother is sick. She needs to go fetch some milk. This is the story of Emine, set somewhere between a village and a town, herself between childhood and womanhood.

In her dream her father is there caressing her hair. She wakes to a hard day. Her mother's milk has dried up and her young brother is sick. She needs to go fetch some milk. This is the story of Emine, set somewhere between a village and a town, herself between childhood and womanhood.