Gabriele Kotte

A small town shortly before the end of the GDR: 15-year-old Ulla lives with her mother in a dilapidated old building where not even the electricity works properly. Economy of scarcity and national bankruptcy are visible everywhere. Only higher party comrades live in the lap of luxury. When Ulla meets Winfried after a summer bathing trip, the two fall in love. Winfried is the son of an influential general director and owns things from West Germany that others only dream of: a computer, a games console, a walkman. On an excursion with her biology class, the high school student discovers that a dacha is being built in the middle of the nature reserve and the creek has been dammed. Winfried's father turns out to be the culprit, but the mayor is on his side. Ulla rebels against this environmental destruction connected to political corruption and organizes a protest. Her activism not only endangers her own future, but also her first great love.

Nina Kern, a divorced woman in her late twenties, will soon be fully deprived of her custody rights for her three children, who already reside in a home for the displaced due to Nina’s many years of willful neglect. Although she has broken her promise to change her moral conduct many times, she is given one last chance on probation.

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

No synopsis available yet.

A railway embankment, fields to the left and right, a wood in the background. Then, on the right-hand side, a small brick house flashes past. Gabriele Kotte pauses and looks beyond the façade. She portrays a family living on the edge of the railway line.

A small town shortly before the end of the GDR: 15-year-old Ulla lives with her mother in a dilapidated old building where not even the electricity works properly. Economy of scarcity and national bankruptcy are visible everywhere. Only higher party comrades live in the lap of luxury. When Ulla meets Winfried after a summer bathing trip, the two fall in love. Winfried is the son of an influential general director and owns things from West Germany that others only dream of: a computer, a games console, a walkman. On an excursion with her biology class, the high school student discovers that a dacha is being built in the middle of the nature reserve and the creek has been dammed. Winfried's father turns out to be the culprit, but the mayor is on his side. Ulla rebels against this environmental destruction connected to political corruption and organizes a protest. Her activism not only endangers her own future, but also her first great love.

Nina Kern, a divorced woman in her late twenties, will soon be fully deprived of her custody rights for her three children, who already reside in a home for the displaced due to Nina’s many years of willful neglect. Although she has broken her promise to change her moral conduct many times, she is given one last chance on probation.

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

No synopsis available yet.

A railway embankment, fields to the left and right, a wood in the background. Then, on the right-hand side, a small brick house flashes past. Gabriele Kotte pauses and looks beyond the façade. She portrays a family living on the edge of the railway line.

A railway embankment, fields to the left and right, a wood in the background. Then, on the right-hand side, a small brick house flashes past. Gabriele Kotte pauses and looks beyond the façade. She portrays a family living on the edge of the railway line.