Peyton Alex Smith

Acting

Peyton Alex Smith

Born 1994-06-18 · Dallas, Texas, USA

Peyton Alex Smith (born June 18, 1994) is an American actor, best known for his role as Damon Sims in the TV series All American: Homecoming as well as Rafael Waithe in The CW series Legacies and Cedric Hobbs in the TV series The Quad. ​From Wikipedia, the free encyclopedia

Acting credits

Mad Money poster
6.5

Three female employees of the Federal Reserve plot to steal money that is about to be destroyed.

Mad Money

2008

Detroit poster
7.2

A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States.

Detroit

2017

Three Colors: Pan-African poster
NR

An anthology feature film exploring contemporary Black existence through the Pan-African flag: A collegiate football star scrambles to save his career after a devastating injury fractures his sense of self-worth; a Ghanaian single mother loses her job and faces deportation as an unlikely group of heroes rally around her; the lead of a struggling Black sitcom questions the cost of success as the network forces the show into racist caricature to boost ratings.

Three Colors: Pan-African

2026

The Longshots poster
6.5

The true story of Jasmine Plummer who, at the age of eleven, became the first female to play in Pop Warner football tournament in its 56-year history.

The Longshots

2008

Carter High poster
6.7

The true story of four student athletes from Carter High School in Dallas, Texas in the 1980s, whose bright futures irrevocably changed due to their off-field activities.

Carter High

2015

White Homeland Commando poster
10.0

White Homeland Commando takes the familiar terrain of network action drama and tilts the playing field. Reminiscent of today's popular reality-based cop shows, White Homeland Commando offers a straightforward story: four members of a special police unit investigate and infiltrate a New York-based white supremacist organization. But that is where the commonplace ends. The teleplay is shot and edited in a highly textured visual style, the colors are subdued yet somehow garish, and the sound is deliberately just out of sync with the speaker's lips. Occasional static combines with jumps in the plot — the editing is reminiscent of a television viewer flipping channels.

White Homeland Commando

1993