Liāna Langa

From midnight until early morning you can travel to any suburb of Riga on a streetcar named Help, whose interior becomes a stage for life’s dramas, human exhaustion and hope. The streetcar is a democratic place where anyone can spend some time.

A young boy likes to play anywhere and anytime, with anything that is handy. A poetess plays with words, a composer with sound, and a filmmaker with images, the result of which is a cinematic poem that motivates the viewer to remember his Homo Ludens.

From midnight until early morning you can travel to any suburb of Riga on a streetcar named Help, whose interior becomes a stage for life’s dramas, human exhaustion and hope. The streetcar is a democratic place where anyone can spend some time.

From midnight until early morning you can travel to any suburb of Riga on a streetcar named Help, whose interior becomes a stage for life’s dramas, human exhaustion and hope. The streetcar is a democratic place where anyone can spend some time.

A young boy likes to play anywhere and anytime, with anything that is handy. A poetess plays with words, a composer with sound, and a filmmaker with images, the result of which is a cinematic poem that motivates the viewer to remember his Homo Ludens.