Marcelo Schapces

No synopsis available yet.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

A journalist interviews a general from the Process a few days after the defeat in the Falklands War. The general's speech is brutally sincere. These are the words that no Argentine military officer would say, has said, or will say. The idea is to exploit one of the feelings many people experience during the trials of repressors: it's strange that no one explicitly admits a single truth. The irony of this story is built on this sense of need to listen, with a certain moral and political awareness.

No synopsis available yet.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

A journalist interviews a general from the Process a few days after the defeat in the Falklands War. The general's speech is brutally sincere. These are the words that no Argentine military officer would say, has said, or will say. The idea is to exploit one of the feelings many people experience during the trials of repressors: it's strange that no one explicitly admits a single truth. The irony of this story is built on this sense of need to listen, with a certain moral and political awareness.

Year 1956. Rodolfo Walsh, young writer and translator, is an involuntary testimony of a failed insurrection attempt against the military dictatorship in Argentina. A little while later he receives the news that there are some survivors of the massacre. Together with his young colleague, they begin an investigate adventure which will bring them to the center of the labyrinth of power. The adventure will unite them in front of innumerable dangers that they'll face. A story of love and a political thriller all to the background of the tragic story of Argentina

This film weaves out of reality and fantasy and present day to the past through flashbacks from it's very beginning that the viewer is playing catchup to a film that never really gets off the ground. This is the story of Olmo whose mother left his father when he was young and is brought up to believe she is dead. The father and son live under an Argentine dictatorship and live in a warehouse spending their days cataloging and archiving anything and everything from toys to chairs and a vast collection of subversive propaganda. After the father's sudden death, Olmo sets off in the real world with the help of a young woman he has met to Galicia, Spain clutching a postcard that his mother had sent from there many years before.

This film weaves out of reality and fantasy and present day to the past through flashbacks from it's very beginning that the viewer is playing catchup to a film that never really gets off the ground. This is the story of Olmo whose mother left his father when he was young and is brought up to believe she is dead. The father and son live under an Argentine dictatorship and live in a warehouse spending their days cataloging and archiving anything and everything from toys to chairs and a vast collection of subversive propaganda. After the father's sudden death, Olmo sets off in the real world with the help of a young woman he has met to Galicia, Spain clutching a postcard that his mother had sent from there many years before.

No synopsis available yet.

In 1977, the famous Argentine cartoonist Héctor Germán Oesterheld, author of El Eternauta, was kidnapped by the military dictatorship. While being transported through a dusty road somewhere in the province of Buenos Aires, one of his captors and companion reads one of his own adventures.

In 1977, the famous Argentine cartoonist Héctor Germán Oesterheld, author of El Eternauta, was kidnapped by the military dictatorship. While being transported through a dusty road somewhere in the province of Buenos Aires, one of his captors and companion reads one of his own adventures.

The life of Ernesto Guevara retold in testimonies from those who knew him personally.

The life of Ernesto Guevara retold in testimonies from those who knew him personally.

No synopsis available yet.

No synopsis available yet.

Documentary about the figure and work of Alejandro del Prado. Why was his career cut short? What are the keys to your art? What metaphysics beats the popular musician who claimed he wanted to be like Johann Sebastian Bach, but couldn't?

Documentary about the figure and work of Alejandro del Prado. Why was his career cut short? What are the keys to your art? What metaphysics beats the popular musician who claimed he wanted to be like Johann Sebastian Bach, but couldn't?

José (Diego Capusotto) lives in Buenos Aires with his father, with whom he doesn't have a good relationship. He's a musician, but supports himself with the earnings from his taxi company, and when he can, he plays with his band in pubs. He's nostalgic for the success he could never achieve again, like when he played with his cousin Miguel (Luis Luque). They had both achieved a certain notoriety with the song "Pájaros vuela" (Flying Birds) by their band "Dientes de Limón." After a long time without seeing each other, Miguel, who lives in Las Pircas, a small town in the mountains of Córdoba, comes to visit him and suggests that he leave the city and come with him.

A crime and a voice that accuses.

A crime and a voice that accuses.

The story of the relatives of the 649 Argentine fallen in the Malvinas War, who as soon as the military conflict ended, found themselves alone with their pain and prevented from approaching the grave of their loved ones, either because their bodies were left in the Cemetery of Darwin, in the Malvinas, or because they disappeared without being identified.