Michitaka Tsutsui

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

This movie is a political/espionage thriller, based on a real kidnapping incident of Korean politician, Kim Dae-Jung.

A young girl named Kiki must leave her home for a year to begin training in witchcraft. She leaves on her broom, but first says goodbye to her friends and family. Kiki then begins her new life with her trusted cat Jiji.

Bookstore clerk Mikado sees ghosts. When exorcist Hiyakawa pulls him into a cursed murder case, the two uncover dark truths—and the killer’s voice still lingers.

The body of a 59-year-old male is found on the banks of a river. The stepson, Kazuo, confesses to his involvement but also implicates his estranged sister Nami. Two detectives, Okishima Keisuke and Kono Kaoru, then travel to the resort district of Beppu to stake out the house of Nami's ex-lover. They feel he may also be implicated in the murder and are certain that Nami will make contact. The detectives now wait.

Kuno Totono, a curly-haired college student, visits Hiroshima and becomes embroiled in a mystery surrounding the inheritance of the Kariatsumari family's assets, using his intelligence and loquaciousness to unravel the case.

A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

Based on the plot of an award-winning Crayon Shin-chan animated movie from 2002, a boy named Shinichi (Takei) does the time-traveling and meets a feared general named Ijiri Matabei (Kusanagi). Ijiri is in love with Princess Ren (Aragaki) who subsequently rejects an arranged marriage to Okura Itakatora (Osawa), a powerful daimyo of northern Kanto. Enraged by the rejection, Okura sends a large army to Ijiri's smaller state and it's up to Shinichi to change their destiny.

College student Sota picks up a cassette tape left behind by musician Aki when he died a year ago. When the tape is played back, Aki takes over Sota's body for just 30 minutes. They share the same body and rush to reunite a band that split up and bring a smile to Aki's girlfriend Kana's face.

The show follows the early years of Japanese warlord hero Oda Nobunaga in the 16th century. As a young man Oda was not seen as the right heir to the Oda clan, but through a masterful political marriage arranged by his father, Oda Nobunaga not only gained influence, he also became the Daimyo who joined the three imperial counties to unite Japan.

Satoshi Murayama, the shogi (Japanese chess) master known as the arch-rival of Yoshiharu Habu, the shogi genius of the century, died of an intractable disease at age 29. Satoshi devoted his life to fighting not only the disease but also his rivals, feverishly pursuing the highest title, at risk to his life. Director Yoshitaka Mori (Hyakuhachi (2008), Space Brothers (2012)) depicts Murayama's true struggling life, full of love from his parents and teacher, based on the non-fiction novel written by Yoshio Osaki. Kenichi Matsuyama intensely portrays Satoshi and physically embodies the character.

Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a ‘good’ Japanese woman should marry, and he is in love with a young male college student.

"A world" - After graduating from a university, close friends Takashi Tsurug and Tomohiko Miwa begin work at a company which does brain research. One day, Tomohiko introduces Mayuko Tsuno as his girlfriend. Takashi is stunned. When he was a university student, Takashi saw Mayuko Tsuno every day on the train opposite from the one he rode. He became attracted to her back then. "B world" - When Takashi Tsurug wakes up, his girlfriend Mayuko Tsuno makes breakfast as usual at his apartment. His friend Tomohiko Miwa introduced him to Mayuko and they have lived happily as a couple. Everything seems to be going smoothly, but Takashi begins to have doubts. Tomohiko, who worked with him at the same company, disappears and he can't discern if his memory is real or imaginary.

A highly anticipated cultural festival is less than a week away for the students of a local high school when mysterious, seemingly paranormal events start occurring within their building. A piano plays when no one is in the room; the power continually shuts off, seemingly at random; footprints are left behind by an unseen presence; objects appear to levitate and are hurled across the room. Concerned about the strange phenomena, six students, advised by Professor Yamakawa, form a research team and investigate the strange goings-on. One of the students is Reiko Kudo, who has ESP and a family history with the occult. As the investigation ensues, a disturbing story from the past emerges from the woodwork, culminating with an ESP confrontation on the day of the festival...

14-year-old Takuya lives in a rural town near mountains and rivers. His 29-year-old uncle Koji works as a graphic designer in urban Tokyo. Koji's father dies and Takuya is arrested for attempted robbery-the two young men must now face a crucial crossing in their lives. The concluding chapter to director Higashi Yoichi's "boy and river" trilogy, the film highlights contemporary themes like family, adolescence, and the healing properties of nature. The wild but beautiful Kuma River stars as a threatening symbol for the boy's rite of passage. Supernatural beings reign in the mountains above the village.

Years after moving to Tokyo with her parents, Hinako returns to her hometown in rural Shikoku. She soon learns that her childhood friend, Sayori, died several years ago and that Sayori's mother, who used to perform seances and exorcisms, has gone almost insane with grief. After seeing Sayori's ghost several times during the night, Hinako consults with some local experts on the paranormal and discovers that Sayori's mother has something planned for her daughter...

Bem, Bela and Belo arrive at a new town plagued by a series of mysterious, unsolved cases which, as they discover, are caused by another youkai, one more powerful than they have ever encountered. The story will also focus on Belo's first love, and his increasing desire to become human. In the meantime, Bem and Bela have found a way to become human, but are conflicted about whether to let just Belo turn human, or along with Belo, become humans themselves.

Kiyoyoshi Kuga attends law school, aiming to work in the legal field as a lawyer. His childhood friend Mirei Orimoto also attends the same law school. One day, a leaflet is distributed by an anonymous person at their law school. The leaflet makes accusations about the past of Kiyoyoshi Kuga and Mirei Orimoto. Soon, unpleasant cases takes place around them. Kiyoyoshi Kuga talks to Kaoru Yuki, who is an extremely smart classmate and in charge of the mock trials. These three people chase after the truth, but they face an unexpected situation.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Toru Tachibana is a police officer who works as a guard at a detention center. He and his colleague Nakano, who lives in a shared room in a bachelor dormitory, are a good pair, joking around with each other. One day, Toru gets his dream job as a detective. He becomes involved in the investigation of a serial theft case, and in the process meets Emiko, who seems to be one of the victims of the theft. Toru develops a personal interest in Emiko, and begins to stalk her.

A TV special movie aired in Japan.

Two sets of parents divorce and marry each other, while their children Miki and Yuu are caught in the middle and start falling for each other.