Victor Gonçalves

At the core of a royal court unbalanced by the long absence of its King, where women seem to have disappeared along with reason, the Crown Prince is murdered. Wrapped in the plot of the promoters of a decaying libertine spirit, the heir’s brothers, a pair of twins united by the music they play together and their Valet, witness a hunt for the prepetator launched by the palace doctor's deduction. In the background of all the chatter rises the individual desire of the twins for the dynasty.

Somewhere in an unspecified time, Patrick Mendes presents an initiation ritual in a community at the ends of the earth.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

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Victor has unfinished business with his former psychoanalyst Carmo. After years of holding a grudge, he lures Carmo into his house in order to finally take vengeance.

War. Cleopatra and António lock themselves in the mausoleum while Brazil is recolonized. The word colonization comes to life and nature reacts to the destruction of the Earth from the desire for immortality. On the verge of his death, António asks for a “lullaby”. In a funeral mating dance, two historical and tyrannical characters dream, in the midst of war, of a non-binary policy of Love. In this de-colonial and queer rewriting of Shakespeare’s tragic play, Egypt is Brazil and Rome is Portugal.

A message of praise to the President concludes a Party assembly, sparking apotheotic applause. In the middle of the crowd inquisitive eyes of the State Police look for the slightest sign of dissent, and the ovation does not cease.

Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

The film tells the story of Martin, a child of nine years, who one day disappears from private school where he studied. Police mounted a major search operation across the city to find him. All hypotheses are possible: What happened?

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

The story of Jorge, an ambitious hacker with few scruples, which is discovered to divert money from the company where he works and decides to flee. In flight, turns out to have an accident during a snowstorm and, despite being in despair, eventually finding a home.

Aleksandar Krisnjev got lost in the Unknown. Misled by enigmatic characters, he must reach the Ceremony and meet his Shadow.

A direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.

Diamantes Negros tells the long journey undertaken by two young boys from Mali who arrive in Spain after being persuaded to pursue their dream of escaping from poverty by becoming professional football players.

When his wife dies during child-birth, Arsénio turns to a foul ritual with hopes of having the daughter he never got to know.

Variations around the texts of the poet Al Berto (1948-1997). In Al Berto´s work, fiction and autobiography converge into a register of reciprocal contamination – as well as lyricism and narrativity. The poetry served Al Berto as a register and memory aid. Therefore, the view is so important in this work: the act of looking confuses itself here with the writings. Thefore, because Al Berto´s poetry is another way of looking, it calls, requests other images that complement the comprehension of the writings, or if they oppose it, then in this opposition, bring new meanings to the reading.

Struggling against the crisis in Portugal, a mother doubles up jobs to pay the bills since her husband is unemployed. Their teenage daughter tries to keep living everyday life even if the money is running short, which makes everything uneasy. Escaping from their common reality, they slowly become strangers to one another, as the tension grows in silence and in guilt.

A dehydrated man trespasses an estate and ends up by losing his freedom.

Sonia and Branca are two close friends at their thirties's sexual peak, on the verge of their cosmopolitan loneliness. Despite the long relationship that keeps them together, they are so distant, that it's as if they didn't really know each other. Cronica Feminina (Women's Tales) is a dramatic comedy that talks about women, but essentially approaches, from the point of view of its characters, the human need to communicate, seduce, fantasize, the need for love in the bottom of all things

Fernando’s friends have invited him to dinner as he has volunteered to join the peacekeeping force in Bosnia… At the restaurant he meets a girl and they go off to enjoy the rest of the evening together. Unfortunately, that night skinheads are on the prowl in the area.

Laura doesn't know what to do with her loneliness. She gets involved in multiple games of seduction, unable to go home alone, without someone to share her affections with. She confides in her sister, Sara, they share dinners, they confide their fears. Laura feels she has to change, to escape the chaos that her life has become, especially when her children surprise her with a stranger in her bed. She then seeks out her mother, as if trying to reconcile with her.

João is a freelance television journalist. When he begins a new story about an old pigeon breeder in a poor neighborhood on the outskirts of Lisbon, João meets Ana, his teenage granddaughter, a mysterious character who is beginning to exercise an irresistible fascination for him. With the time João starts to lose the interest in the pigeon breeder and begins to take an interest in Ana and her world, which she only shares with another abandoned kid, until she realizes that her life is full of dark stories.

Francisco just got out of prison after a six year sentence and is now a free man. He wants to change, and after a few days sleeping in the subway tunnels, and some small jobs, he finally gets a room on a cheap hotel. He changes his looks, gets a job, lives his life.