Idalia Anreus

A documentary about the 1968 film Lucía, featuring its director, Humberto Solás, and members of his cast and crew.

A squad of young Cuban armed forces recruits are tasked with defending a strategic key north of Cuba. The fraught relationships between the young soldiers and the sergeant who leads them transform as they discover his human qualities during training and learn discipline in the harsh conditions of their post.

This Cuban feature examines the circumstances arising out of a woman's claim to have seen the Virgin Mary and to have been healed by waters from a nearby stream. In an accelerating storm of cynical opportunism, her sincere beliefs are exploited by businessmen, politicians and military men. Rival groups compete to exploit the hysteria the vision causes, and the chaos culminates in a revolution. Striking imagery and skillful camerawork enhance this feature.

Rebuild, in the same place of events, a trial held in 1969 to four men, accused of sabotage for having caused the fire of a forest plan that caused the death of eight people and large material losses. At the same time, it analyzes retrospectively the circumstances that contributed to the occurrence of the crime.

A young sociologist returns to Nuevitas, his hometown, to investigate the transformations taking place there, brought about by the advance of the revolutionary process. Disagreeing with the way his predecessor worked, he tries to change it and discovers the complexity of human relationships, social problems, and the sexist and racial prejudices she had to face.

Teresa is overwhelmed: with a husband, three young sons, a job as a crew leader in a textile factory, and volunteer commitments as cultural leader of her union. Her husband, Ramón, believes her additional pursuits take time away from her domestic tasks and wants more of her attention, accusing her of neglecting him, her house and her family. A hard-hitting Cuban drama that presents a woman struggling for control of her own life and deals with the social consequences of traditional male chauvinism.

Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the 1890s, the 1930s, and the 1960s.

Cuban peasants wield machetes in a violent uprising against Spanish authorities in the late 19th century.

Tulipa, an old strip-teaser from a traveling circus, is replaced by a younger, more wild woman. She must teach the job to her successor or cling to an act that she values as true art.