Alex Gerbaulet

Made from images filmed by the Syrian artist Amel Alzakout after the boat on which she was fleeing Syria sank off the coast of Lesbos, Purple Sea reports on the moment in which the co-director and the other passengers are floating in the sea in their lifejackets, waiting to be rescued. Her voice-over accompanies this extremely poignant experience.

The film approaches the biographies of two women whose personalities were forcibly hidden behind their roles as wives and homemakers. They remained invisible until they themselves became the aggressors.

No synopsis available yet.

A group of people, a flashlight, a strip of x-ray film is buried in the gravel of uranium mining sites in Saxony and Thuringia for USSR's atomic weapons program. The ground exposes the film, leaving behind a trace of its invisible rays.

SCHICHT (SHIFT) is both a reckoning and a search for traces of the past. Layer by layer the film unfolds the portrait of the filmmaker's family - brought to life by records from private archives - and embarks on a dizzying trip through the shrinking industrial city of Salzgitter, Germany.

With its image axis repeatedly tilting and tipping out of frame, Depth of Field examines three places in the German city of Nuremberg which are haunted by the memory of the racist murders committed there by the NSU far-right terrorist group between 2000 and 2005.

Made from images filmed by the Syrian artist Amel Alzakout after the boat on which she was fleeing Syria sank off the coast of Lesbos, Purple Sea reports on the moment in which the co-director and the other passengers are floating in the sea in their lifejackets, waiting to be rescued. Her voice-over accompanies this extremely poignant experience.

The film approaches the biographies of two women whose personalities were forcibly hidden behind their roles as wives and homemakers. They remained invisible until they themselves became the aggressors.

No synopsis available yet.

A group of people, a flashlight, a strip of x-ray film is buried in the gravel of uranium mining sites in Saxony and Thuringia for USSR's atomic weapons program. The ground exposes the film, leaving behind a trace of its invisible rays.

SCHICHT (SHIFT) is both a reckoning and a search for traces of the past. Layer by layer the film unfolds the portrait of the filmmaker's family - brought to life by records from private archives - and embarks on a dizzying trip through the shrinking industrial city of Salzgitter, Germany.

SCHICHT (SHIFT) is both a reckoning and a search for traces of the past. Layer by layer the film unfolds the portrait of the filmmaker's family - brought to life by records from private archives - and embarks on a dizzying trip through the shrinking industrial city of Salzgitter, Germany.

With its image axis repeatedly tilting and tipping out of frame, Depth of Field examines three places in the German city of Nuremberg which are haunted by the memory of the racist murders committed there by the NSU far-right terrorist group between 2000 and 2005.