Directing

Reni Mertens

Known for

Directing

Credits

11 titles

Known for

Behind the camera

The Apprentices poster
9.0

Several teenagers following a professional apprenticeship. Eleven young girls and boys from different parts of French-speaking Switzerland.

The Apprentices

1964

Heritage poster
8.0

A film about Swiss composer and painter Peter Mieg

Heritage

1980

Gebet für die Linke poster
10.0

Voted for in the 2012 Sight & Sound poll

Gebet für die Linke

1974

Rhythmik poster
NR

No synopsis available yet.

Rhythmik

—

Nativity Play II poster
NR

Deaf children (led by the special needs teacher Mimi Scheiblauer) perform the nativity according to Luke.

Nativity Play II

1962

Nativity Play II poster
NR

Deaf children (led by the special needs teacher Mimi Scheiblauer) perform the nativity according to Luke.

Nativity Play II

1962

Requiem poster
NR

A trip around Europe's soldier graveyards

Requiem

1992

Ursula oder das unwerte Leben poster
NR

Documentary film.

Ursula oder das unwerte Leben

1966

Die Selbstzerstörung des Walter Matthias Diggelmann poster
10.0

Walter Matthias Diggelmann (1927-1979) was one of Switzerland's most famous and also most controversial writers. Although his novelistic work is strongly auto-biographical, he always engaged in Swiss politics. In this movie, he says: "Although I am writer, my existence is that of a human, a contemporary, a witness, a believer, a doubter, a desperate, an accepter, a refuser, one who loves and wants to be loved, a hater, a creative, an ambitious, a good and a bad mensch". Filmmakers Walter Marti and Reni Mertens offered Diggelmann one hour of time in order to explain and to defend himself, to accuse, to apologize, to reconsider his judgments.

Die Selbstzerstörung des Walter Matthias Diggelmann

1973

No artwork available
NR

Contrasting the idyllic images of a fisherman at work with city industry in the background

Jour de pêche

1958

No artwork available
NR

Im Schatten des Wohlstandes is about children; their illnesses – if that’s what we want to call them – are civilisational in nature: their parents have to abandon them to keep up with their jobs; frustration is the core of capitalism.

In the Shadow of Prosperity

1961