Walter Marti

Several teenagers following a professional apprenticeship. Eleven young girls and boys from different parts of French-speaking Switzerland.

A film about Swiss composer and painter Peter Mieg

Voted for in the 2012 Sight & Sound poll

No synopsis available yet.

Deaf children (led by the special needs teacher Mimi Scheiblauer) perform the nativity according to Luke.

A trip around Europe's soldier graveyards

Several teenagers following a professional apprenticeship. Eleven young girls and boys from different parts of French-speaking Switzerland.

A film about Swiss composer and painter Peter Mieg

Voted for in the 2012 Sight & Sound poll

No synopsis available yet.

Deaf children (led by the special needs teacher Mimi Scheiblauer) perform the nativity according to Luke.

Deaf children (led by the special needs teacher Mimi Scheiblauer) perform the nativity according to Luke.

A trip around Europe's soldier graveyards

Since 1935, inspired by the Catholic writer/lyricist/essayist and victim of World War One, Charles Péguy, students (at first from the Sorbonne) have set off on a pilgrimage towards the cathedral in Chartres. The journey takes about two to three days, Moritz de Hadeln’s documentary of the pilgrimage, called Le Pèlé for short, lasts roughly an hour. Four crews followed the groups – there are many ways leading to Chartres – on their journey through the countryside.

Documentary film.

Walter Matthias Diggelmann (1927-1979) was one of Switzerland's most famous and also most controversial writers. Although his novelistic work is strongly auto-biographical, he always engaged in Swiss politics. In this movie, he says: "Although I am writer, my existence is that of a human, a contemporary, a witness, a believer, a doubter, a desperate, an accepter, a refuser, one who loves and wants to be loved, a hater, a creative, an ambitious, a good and a bad mensch". Filmmakers Walter Marti and Reni Mertens offered Diggelmann one hour of time in order to explain and to defend himself, to accuse, to apologize, to reconsider his judgments.

Contrasting the idyllic images of a fisherman at work with city industry in the background

Im Schatten des Wohlstandes is about children; their illnesses – if that’s what we want to call them – are civilisational in nature: their parents have to abandon them to keep up with their jobs; frustration is the core of capitalism.

A short film on throw-away culture and TV

A short film on throw-away culture and TV