Dimitris Nollas

Following the wedding of his daughter, stone-faced beekeeper Spyros makes an annual journey from the north of Greece to the south, traveling along with his hives. En route, he meets an erratic, young female drifter, with whom he strikes up an unusual, self-destructive relationship.

A family story of incest, decadence and desolation. Greece, early twentieth century. A bourgeois family is on the verge of breaking up. The mother has abandoned the family, and the father, a retired officer, keeps his three daughters, as well as the illegitimate son of the oldest daughter, confined in the house. After his death, the three sisters live through their personal drama. The eldest, Eleni, imbued with the morals of the time and closely identifying with her father, tries to take his place. The middle one, Maria, representing rebellion, goes off with a captain of the sanitation service, while the youngest, Anna, skating on thin ice through all this, is completely destroyed.

No synopsis available yet.

A prominent lawyer goes abroad for medical examinations and, during his absence, his wife cheats on him with a young man. Their gardener takes advantage of the situation and begins blackmailing them.

The film is dedicated to the centennial of cinema and, through a pastiche of excerpts from Balkan silent films, pays tribute to a cinema that has been almost completely forgotten. Old photographs and a modern- day train trip through the Balkans highlight the coincidences, the similarities, and the affinities that link Balkan filmmakers. A film about all the things that unite the neighbouring countries of the peninsula, which, perhaps, are many more than the things that divide them.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

Following the wedding of his daughter, stone-faced beekeeper Spyros makes an annual journey from the north of Greece to the south, traveling along with his hives. En route, he meets an erratic, young female drifter, with whom he strikes up an unusual, self-destructive relationship.

A family story of incest, decadence and desolation. Greece, early twentieth century. A bourgeois family is on the verge of breaking up. The mother has abandoned the family, and the father, a retired officer, keeps his three daughters, as well as the illegitimate son of the oldest daughter, confined in the house. After his death, the three sisters live through their personal drama. The eldest, Eleni, imbued with the morals of the time and closely identifying with her father, tries to take his place. The middle one, Maria, representing rebellion, goes off with a captain of the sanitation service, while the youngest, Anna, skating on thin ice through all this, is completely destroyed.

No synopsis available yet.

A prominent lawyer goes abroad for medical examinations and, during his absence, his wife cheats on him with a young man. Their gardener takes advantage of the situation and begins blackmailing them.

The film is dedicated to the centennial of cinema and, through a pastiche of excerpts from Balkan silent films, pays tribute to a cinema that has been almost completely forgotten. Old photographs and a modern- day train trip through the Balkans highlight the coincidences, the similarities, and the affinities that link Balkan filmmakers. A film about all the things that unite the neighbouring countries of the peninsula, which, perhaps, are many more than the things that divide them.

As a coincidental event unites a publisher and a hospital manager, sinister revelations entangle the couple with the aspiration of an editor-in-chief. Will he unearth the truth? After all, almost everybody has a skeleton in the closet.

An adaptation of Alexandros Papadiamantis's short story. Passion for a woman and some desperate thoughts push a young man to secretly take a stranger's boat and set sail. The wind carries him away and he is shipwrecked. He comes to in a cave, near the deserted shores, among three eccentric people who, each for their own reasons, live on the margins of society. He listens to them recount their personal stories with humour and self-deprecation. But behind their seemingly ill-fated romances, he discerns true love.

A writer goes to his hometown, looking for the girl he was in love,when he was young.

Episode from the documentary series Paraskinio, dedicated to Mimis Fotopoulos, who speaks about his life and work in a monologue in front of the camera, likely improvised. We watch footage from his films, and we hear him reading aloud. Among the ruins of an open-air space, mostly used as a film studio, he initially plays the blind man from "The Counterfeit Coin", talks about his films such as "The Counterfeit Coin", "Laterna, Poverty and Dignity", and "The Little Chauffeur", and comments on that period of the golden age of classic Greek cinema. Fotopoulos wanders through the ruined studio and discusses the increased responsibilities of actors in theater and the challenges of filming while performing in plays during the flourishing period of Greek cinema.