Zita Carvalhosa

No synopsis available yet.

A film about remarkable moments in the History of Brazilian Photography, built through the eyes of Lauro Escorel. It also reflects on the impact of digital photography on contemporary society.

No synopsis available yet.

Dignity is a good reason to fight, or to walk away? Past and present issues on immigration, gender, and dignity in countries - Italy and Brazil - that share many similarities, starting from a biased relationship with their national memory.

A modern couple from a typical advertisement: young, attractive, and brand-conscious. As they use the products on their breakfast table they begin to quote lines from the relevant advertisemnet. Soon their behavior departs from the accepted advertising norm as they zealously defend each other´s products to the death.

In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.

No synopsis available yet.

A film about remarkable moments in the History of Brazilian Photography, built through the eyes of Lauro Escorel. It also reflects on the impact of digital photography on contemporary society.

No synopsis available yet.

Dignity is a good reason to fight, or to walk away? Past and present issues on immigration, gender, and dignity in countries - Italy and Brazil - that share many similarities, starting from a biased relationship with their national memory.

A modern couple from a typical advertisement: young, attractive, and brand-conscious. As they use the products on their breakfast table they begin to quote lines from the relevant advertisemnet. Soon their behavior departs from the accepted advertising norm as they zealously defend each other´s products to the death.

In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.

The feature film that brings together 12 shorts by youngsters of the suburbs of São Paulo, addressing issues such as the lack of work perspective, racism, right to housing and homophobia.

The film focuses on unpublished texts that deal with the signs of physical fragility, cinematographic preferences, evocations of ancestors, mentions of childhood and memories of Gilda de Mello e Souza.

A young architect embarking upon his first major project is unexpectedly brought face to face with dark secrets from his ancestral past.

No synopsis available yet.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

A convertible car enters the city of São Paulo bringing two people aboard. They ride 24 hours unfolding the views of a big city.