
Acting
Barbara Stanwyck
Born 1907-07-16 · Brooklyn, New York City, New York, USA
Barbara Stanwyck (July 16, 1907 – January 20, 1990) was an American actress. A film and television star, she was known during her 60-year career as a consummate and versatile professional with a strong screen presence and was a favorite of directors including Cecil B. DeMille, Fritz Lang, and Frank Capra. After a short stint as a stage actress, she made 85 films in 38 years in Hollywood, before turning to television. Stanwyck was nominated for the Academy Award four times, and won three Emmy Awards and a Golden Globe. She was the recipient of honorary lifetime awards from the Motion Picture Academy, the Film Society of Lincoln Center, the Golden Globes, the Los Angeles Film Critics Association, and the Screen Actors Guild, has a star on the Hollywood Walk of Fame and is ranked as the eleventh greatest female star of all time by the American Film Institute.
Acting credits
8.1An insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, a claims investigator.
Double Indemnity
1944
6.6Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.
Dead Men Don't Wear Plaid
1982
6.0Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.
Breakdowns of 1942
1942
7.2A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.
Baby Face
1933
7.1A New Mexico cattle man and his strong-willed daughter clash over land and love.
The Furies
1950
10.0A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.
The Good, The Bad, and the Beautiful
1996
6.6Unhappily married, Julia Sturges decides to go to America with her two children on the Titanic. Her husband, Richard also arranges passage on the luxury liner so as to have custody of their two children. All this fades to insignificance once the ship hits an iceberg.
Titanic
1953
5.7Sierra Nevada Jones must fight a villainous rancher to regain the land that is rightfully hers.
Cattle Queen of Montana
1954
6.7One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?
Union Pacific
1939
7.3It's no accident when wealthy Charles falls for Jean. Jean is a con artist with her sights set on Charles' fortune. Matters complicate when Jean starts falling for her mark. When Charles suspects Jean is a gold digger, he dumps her. Jean, fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles' life. With love and payback on her mind, she re-introduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.
The Lady Eve
1941
6.8Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
Sorry, Wrong Number
1948
7.0While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her husband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm.
Christmas in Connecticut
1945
6.7An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.
Clash by Night
1952
7.4A group of academics have spent years shut up in a house working on the definitive encyclopedia. When one of them discovers that his entry on slang is hopelessly outdated, he ventures into the wide world to learn about the evolving language. Here he meets Sugarpuss O’Shea, a nightclub singer, who’s on top of all the slang—and, it just so happens, needs a place to stay.
Ball of Fire
1941
6.5A former Union Army officer plans to sell out to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor's crippled owner and the outfit's bullying tactics make him reconsider. When one of his hands is murdered he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother who also has a Mexican woman in town.
The Violent Men
1955
6.3An American missionary is gradually seduced by a courtly warlord holding her in Shanghai.
The Bitter Tea of General Yen
1932
7.7Born Ruby Stevens, she was orphaned when she was four. A chance audition led to a chorus job. By 17 she was a Ziegfeld Girl. At 20 she earned excellent reviews for a bit part in a Broadway play — and she had a new name: Barbara Stanwyck.
Barbara Stanwyck: Straight Down the Line
1997
7.3As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
Meet John Doe
1941
5.4Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.
Hollywood Uncensored
1987
6.5On a cruise to Cuba, Lulu Smith falls in love with Bob Grover. Back home, she breaks off the romance when he tells her he is married. Lulu has a baby but doesn't tell Bob, who turns out to be a rising politician. She passes herself off as the baby's nanny. When Bob learns what is going on, he adopts the little girl, not telling his wife or anyone else where she came from. Lulu gets a job at a newspaper. Things get complicated when the editor gets the dirt on Bob, but also wants to marry Lulu.
Forbidden
1932
6.0After losing his job at a coffee shop, Charlie Rogers finds employment at a struggling carnival, but his attempted romance with a teenager leads to friction with her father.
Roustabout
1964
4.3Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
Why Be Good?: Sexuality & Censorship in Early Cinema
2007
6.5Awkward Annie loves her sharpshooting rival in Buffalo Bill's Wild West Show.
Annie Oakley
1935
7.3Unexpected love blossoms when an assistant district attorney agrees to take a recidivist shoplifter home so she doesn't have to spend Christmas alone in jail.
Remember the Night
1940