Jani Peltonen

Everlasting summer and everlasting youth.

NATO’s nuclear exercise, a 12-minute uninterrupted tracking shot, and the Finnish Eurovision Song Contest entries collide in the night of Helsinki in November 1983. The film presents various apocalyptic scenarios, and based on them, presents an alternative storyline from the perspective of the scenarios' targets, on a real scale, on the streets of nocturnal Helsinki. The difference between imaginary and real nuclear war is revealed to be frighteningly fragile.

The narrator of the film was diagnosed with proprioception disorder by her physiotherapist: She lacks a normal awareness of her body in space and thus a reference to the world around her. Dancing as a therapy might help. Instead, she takes a ghost train into Finland’s television history, to the 1960s, when ordinances forbade spontaneous dancing because of a Medieval decree.

Everlasting summer and everlasting youth.

Everlasting summer and everlasting youth.

NATO’s nuclear exercise, a 12-minute uninterrupted tracking shot, and the Finnish Eurovision Song Contest entries collide in the night of Helsinki in November 1983. The film presents various apocalyptic scenarios, and based on them, presents an alternative storyline from the perspective of the scenarios' targets, on a real scale, on the streets of nocturnal Helsinki. The difference between imaginary and real nuclear war is revealed to be frighteningly fragile.

NATO’s nuclear exercise, a 12-minute uninterrupted tracking shot, and the Finnish Eurovision Song Contest entries collide in the night of Helsinki in November 1983. The film presents various apocalyptic scenarios, and based on them, presents an alternative storyline from the perspective of the scenarios' targets, on a real scale, on the streets of nocturnal Helsinki. The difference between imaginary and real nuclear war is revealed to be frighteningly fragile.

The narrator of the film was diagnosed with proprioception disorder by her physiotherapist: She lacks a normal awareness of her body in space and thus a reference to the world around her. Dancing as a therapy might help. Instead, she takes a ghost train into Finland’s television history, to the 1960s, when ordinances forbade spontaneous dancing because of a Medieval decree.