Dritëro Agolli

On the anniversary of the death of Commissioner Ibrahim Kovaçi, six of his war friends are accompanying his statue to his native village, where a ceremony will be held. During the road, each of them remembers moments related to the life of Ibrahim.

In the first day of liberation, partisan Meke enters the palace where the king used to live.

In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi

On the anniversary of the death of Commissioner Ibrahim Kovaçi, six of his war friends are accompanying his statue to his native village, where a ceremony will be held. During the road, each of them remembers moments related to the life of Ibrahim.

In the first day of liberation, partisan Meke enters the palace where the king used to live.

In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi