Mehmet Cerrahoglu

A squad of unsuspecting cops go through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building.

A team of scientists face dangerous consequences after they conduct a clandestine experiment to breach the quantum barrier and travel to another dimension.

Police summoned to an apartment building make a horrifying discovery.

After his wife passed away, Altan created a small world with his son Can, where they could withstand life’s difficulties. Even in the toughest situations, he could turn it into a game and make those around him laugh, even in the most tragic moments. Altan works as a garbage collector for the municipality and lives with his son Can in a shantytown neighborhood adjacent to Istanbul’s wealthy districts. Can’s entire world revolves around comic books. One day, Can is diagnosed with stage four heart failure, which shatters Altan’s world. Can’s only chance is a heart transplant, and finding a donor for a child his age is extremely difficult. From then on, the only thing Altan can do is keep Can happy and maintain his spirits. Altan finds the way to make Can happy through comic books.

Nilgün, who is in the process of getting married, should not get married because her family was haunted by a jinn three generations ago. However, Nilgün sees such events as superstition and does not listen to what is said to her and gets married. Before long, Nilgün's life turns into a nightmare. Nilgün and her family find themselves on a mystical and dangerous journey after the events that have been experienced, convinced by the advice of Cennet, an old magician, that someone nicknamed 'Blind Hodja' intervenes in the situation.

The final film in the Phobia Trilogy follows Selim, who suffers from psychological issues due to parental trauma he experienced in his childhood, as he continues his routine life but finds himself caught up in unexpected events when his phobias are triggered during a journey.

The dystopia of reality through employees who enter the workplace with coffins, an elevator as a cemetery in the plazas, mechanized white-collar people, people who get money out of their heads, businessmen snarling at each other and a boss who throws up money.

A group of junkies go to a deserted part of town at night to get high. They cross paths with "the one in the woods". After that moment it is impossible to know where the journey is to.