Nitipong Thinthupthai

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking

Four short tales set in contemporary Hong Kong.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures.

A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.

A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures.

A group of children are playing with a krasob, a sack of rice on a pole. The krasob serves to practise Thai boxing, but they also practise on each other.