Lorenzo Vigas

Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.

A young boy on a mission to collect what he believes to be his father’s remains gets sucked into the underbelly of the migrant industry in Mexico.

A man fails to acknowledge the teenagers he mistreated when they were small children.

Oswaldo Vigas, a renowned Venezuelan painter, returns, in his 80s, to the town where he was raised, searching for a painting that was lost during his teenage years. If he finds it, he and his wife, Jeannine, will be able to complete an exhibition about the early stages of his career. This search becomes more than an opportunity to revisit the early influences on his art. During this exploration, he is confronted with a chapter of his youth that marked him for the rest of his life, and defined him as a human being and as a creator. The search for the lost painting, EL VENDEDOR DE ORQUÍDEAS (THE ORCHID SELLER), allows us to discover the human side of one of the most influential artists of Latin America.

Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.

A young boy on a mission to collect what he believes to be his father’s remains gets sucked into the underbelly of the migrant industry in Mexico.

A young boy on a mission to collect what he believes to be his father’s remains gets sucked into the underbelly of the migrant industry in Mexico.

A young boy on a mission to collect what he believes to be his father’s remains gets sucked into the underbelly of the migrant industry in Mexico.

A man fails to acknowledge the teenagers he mistreated when they were small children.

A man fails to acknowledge the teenagers he mistreated when they were small children.

A man fails to acknowledge the teenagers he mistreated when they were small children.

Oswaldo Vigas, a renowned Venezuelan painter, returns, in his 80s, to the town where he was raised, searching for a painting that was lost during his teenage years. If he finds it, he and his wife, Jeannine, will be able to complete an exhibition about the early stages of his career. This search becomes more than an opportunity to revisit the early influences on his art. During this exploration, he is confronted with a chapter of his youth that marked him for the rest of his life, and defined him as a human being and as a creator. The search for the lost painting, EL VENDEDOR DE ORQUÍDEAS (THE ORCHID SELLER), allows us to discover the human side of one of the most influential artists of Latin America.