Sergio Santos

Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.

In the late 1970s, young filmmaker Sérgio Santos from Rio de Janeiro lived in Santa Teresa and was a neighbor and friend of singer Raimundo Fagner from Ceará, who was beginning to reap the first fruits of a solid and long career that he would build over the following decades. Sérgio then decided to make a short film to record moments of the rising star.

No synopsis available yet.

Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.

In the late 1970s, young filmmaker Sérgio Santos from Rio de Janeiro lived in Santa Teresa and was a neighbor and friend of singer Raimundo Fagner from Ceará, who was beginning to reap the first fruits of a solid and long career that he would build over the following decades. Sérgio then decided to make a short film to record moments of the rising star.

No synopsis available yet.