Kyle Ingleman

Eight years after the opening night tragedy of HELL HOUSE LLC, many unanswered questions remain. Thanks to an anonymous tip, an investigative journalist is convinced that key evidence is hidden inside the abandoned Abaddon Hotel. She assembles a team to break into the hotel in hopes of discovering the truth. But the source of the tip and the secrets of the Abaddon Hotel are more horrifying than any of them could have imagined.

Lula is a transvestite prostitute that resembles Dorothy, from "The Wizard of Oz". Samantha is her best friend and wears earrings in the shape of bones and leopard print leggings, like The Flinstones. There's also a pissed off pimp who never takes his sunglasses off. And a gypsy woman who smokes cigars and knows everything. And Hollywood star pictures glued to raunchy walls. And a parking lot full of whores, light bulbs and parties. And Jesuschrist. And a Hindu man passed out because of a blow job. And a lot of night exteriors, New York's, to be precise. And a pair of plastic tits that have disappeared. NIGHT FLOWERS is the punky and surreal fairytale in which all of this comes together to make sense. A short film about friendship, bravery and the ability to have dreams in other to survive. Maybe, deep down, that's what life is: a funny, tender and offbeat road trip, filled with feelings, in the search of a pair of plastic missing tits.

In a return to the groundbreaking original film's premise, Jack Deth is back - traveling back in time and into the body of his own daughter, Josephine, on a mission to save her life and save the world from the most lethal Trancers yet. Jack/Jo must adapt and survive being a girl while avoiding many assassination attempts by more powerful and dangerous zombie-like Trancers than he's ever faced before.

Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.

A blind man seeks revenge against the psychopath who took away his sight and slaughtered his wife and daughter. Eight years after the massacre, the man has returned to the desert town, now a highly trained samurai swordsman ready to seek justice. But he doesn't know there awaits seven assassins hired by his sworn enemy who want the bounty on his head. Set in nowhere, no time, this bloody modern day fable is a new age hybrid action film with a classic samurai essence and a spaghetti western spirit. This is, "Sushi Western!"

After a brutal senseless high school shooting that left three teachers and eight students dead, a vengeful father kidnaps the shooter from police and takes him to an abandoned warehouse. His intention: to execute the killer himself. But he soon realizes the boy doesn't value human life and has no remorse for what he did. In his rage, the father feels he is left with no choice but to teach the killer a horrifying lesson through pain and torture, to make him realize the weight of his crimes.

Remember those scary stories about "The hook-armed-man" you heard around the campfire when you were in Scouts? This hilarious and detailed "mocudramedy" examines the sordid stories behind the truth of this American urban legend as it unfolds in one small town.