Jan Oxenberg

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Cleaver Greene is not about politics or morality or even justice. Cleaver Greene is about the law. And it is his passion for the law that drives him to use his formidable intelligence to defend people whom society and the justice system might otherwise convict without a fair trial. He uses his encyclopaedic knowledge of human nature and the Byzantine intricacies of our legal codes to guarantee that his clients get what is theirs by the law; the right to a diligent defence.

A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.

Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.

Rescued from the Closet is a 2001 documentary consisting of interviews originally recorded for the 1995 film The Celluloid Closet. It explores the history and impact of LGBT representation in cinema, providing insights into the portrayal and evolution of LGBT characters and themes within the film industry.

A short documentary about the First National March on Washington for Lesbian and Gay Rights, which took place on Sunday, October 14th 1979.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Cleaver Greene is not about politics or morality or even justice. Cleaver Greene is about the law. And it is his passion for the law that drives him to use his formidable intelligence to defend people whom society and the justice system might otherwise convict without a fair trial. He uses his encyclopaedic knowledge of human nature and the Byzantine intricacies of our legal codes to guarantee that his clients get what is theirs by the law; the right to a diligent defence.

A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

Blending humor and tragedy, filmmaker Jan Oxenberg goes on a personal journey to process the aging and death of her grandmother.

Blending humor and tragedy, filmmaker Jan Oxenberg goes on a personal journey to process the aging and death of her grandmother.

Blending humor and tragedy, filmmaker Jan Oxenberg goes on a personal journey to process the aging and death of her grandmother.

A women interviews a roller derby skater.