
Acting
Andrés de Segurola
Born 1874-03-27 · Valencia - Comunidad Valenciana - Spain
From Wikipedia Andrés Perelló de Segurola (27 March 1874 - 23 January 1953) was a Spanish operatic bass who performed as Andrés de Segurola. He was born on 27 March 1874. He was a member of Metropolitan Opera Company between 1901 and 1920 and later appeared in many films. Towards the end of his career at the Metropolitan Opera, De Segurola also became an impresario. In 1916 he presented a four-week opera season at the Grand National Theatre in Havana, where his company included Geraldine Farrar and Pasquale Amato. After his retirement from the stage, he taught singing. Amongst his many pupils was Deanna Durbin. He died on 23 January 1953.
Acting credits
6.5Tasia (Dolores del Río), a beautiful dancer lower class of Russia, falls heir to the throne Prince, Grand Duke Eugene (Charles Farrell), but only admired from a distance. At the outbreak of the Russian Revolution, the Duke falls in captivity and this allows Tasia be near him.
The Red Dance
1928
4.7Madrid, Spain, 1880. Angelina, daughter of the pompous Brigadier Marcial, is tempted by the womanizer Germán, who asks her to run away together, just after her boyfriend, Rodolfo, asks her to do exactly the same thing with him.
Angelina, o El honor de un brigadier
1935
5.5Mary Barrett is an aspiring opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.
One Night of Love
1934
An irascible retired old lawyer exposes a diamond thief.
Curmudgeon
1930
6.2A polo-playing grandmother and her broke brood get back in the money with a Wall Street bet.
We're Rich Again
1934
4.9August Bolte, the richest man in a settlement in German East Africa in the period before World War I, is called "Mamba" by the locals, which is the name of a deadly snake. Despised by the locals and the European settlers alike for his greed and arrogance, Bolte forces the beautiful daughter of a destitute nobleman to marry him in exchange for saving her father from ruin. Upon her arrival in Africa, she falls in love with an officer in the local German garrison. When World War I breaks out, Bolte, unable to avoid being conscripted, foments a rebellion among the local natives.
Mamba
1930
5.0The wealthy Jiggs is tired of being left out of the swanky parties thrown by his social-climbing wife Maggie and their daughter. He decides to teach them a "lesson" by faking his own suicide, but things don't quite turn out the way he planned.
Bringing Up Father
1928
The Wall Street crash of 1929 brings tragedy to thousands, and only a small group of astute investors are able to retrieve their funds. Financial adviser Antonio Benson is one of the few to survive the disaster. He escapes from his ruined clients, whose funds he has mismanaged, by hiding out at his country home; however, someone finds him and kills him. The onscreen credits were taken from a cutting continuity. This film is a Spanish-language version of the 1930 film The Benson Murder Case (See Entry), which was directed by Frank Tuttle and starred William Powell and Natalie Moorhead. The Spanish version had two working titles: Juego, amor y sangre and El crimen de Wall Street.
El Cuerpo del Delito
1930
NRNo synopsis available yet.
El caballero de la noche
1932
6.0Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.
Glorious Betsy
1928
After winning a trip to Hollywood, office typist Lolita Álvarez (Cristina Téllez) travels to the city of dreams on an ocean liner in the company of her aunt Gertrudis (Pilar Arcos). During the trip, she meets and falls for banker Alberto Guzmán (Rafael Alcayde), mistaking him for a prince while she herself pretends to be a well-travelled socialite. The film features a flamenco-inspired tap dancing scene performed by dancer Edith Davis.
Castles in the Air
1938
7.0Behind the doors of a foreign government's embassy in Washington D. C., a group of royal loyalists is attempting to raise funds to aid a counter-revolution and restore the deposed emperor in a new republic. They are led by an unknown leader called 'The Eagle."
Behind Closed Doors
1929
A scientist's obsessive jealousy about his wife, a professional opera singer, endangers their marriage.
Public Opinion
1935
6.4A ditzy American girl visiting Monte Carlo is hired by a tennis champ to be his "cardboard lover"--to pretend to be in love with him so he can teach his two-timing fiancé a lesson and win her back. What he doesn't realize is that the girl isn't pretending --she actually is in love with him, and she sets out to win him for herself.
The Cardboard Lover
1928
7.3This is the Spanish-language version of The Cat Creeps, shot at the same time and on the same sets.
The Will of the Dead Man
1930
7.4A young woman at life's crossroads is granted mystic visions of how her decisions will affect her future life.
The Love of Sunya
1927
9.0Fannie Brand, an industrious girl who supports her brother and sister by working in a theatrical costume house, falls in love with Joe Halsey, a young fellow who earns a precarious living demonstrating an elastic exerciser in a drugstore window. Fannie and Joe set a date to be married, but the wedding is called off when Fannie finds Joe making love to her unprincipled sister, Edna. Fannie auditions for Landau, a theatrical producer, and goes on the Broadway stage. Fannie is a great success, and she and Joe soon find their way back into each other's arms.
My Man
1928
Spanish-language version of The Big Fight (1930).
Face of Desire
1930