
Directing
Sérgio Santeiro
Born
1944-12-20 (81)
Place of birth
Rio de Janeiro, Rio de Janeiro, Brazil
Known for
Directing
Credits
42 titles
Known for
NRWhat happens when two friends meet.
Problema
2003
NRNo synopsis available yet.
Primeiros Cantos
1977
NRDocumentary about UFF on the occasion of the 15th anniversary of its foundation.
Universidade Fluminense
1975
NRNo synopsis available yet.
Santeiro 3D
2013
NRParable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.
Paixão
1965
7.0Documentary about the painter Ismael Nery, which intersperses daily street scenes with paintings by the artist, under the narration of his 1931 Post-Essencialista poem.
Ismael Nery
1979
Film credits
2010s · 4 titles
2000s · 1 titles
1980s · 2 titles
NRIn the face of images that are transfigured, inside a mushroom of an explosion already begun, the narration of a rude Latin American poem tells occurrences and impressions of the sixties, seventies and eighties in Brazil and Latin America, with some memory failures. The film was made from the technique of direct animation in the film.
Eclipse
1984
4.6A mad scientist attempts to bring an ancient Egyptian mummy back to life.
The Secret of the Mummy
1982
1970s · 1 titles
Behind the camera
NRWhat happens when two friends meet.
Problema
2003
NRWhat happens when two friends meet.
Problema
2003
NRNo synopsis available yet.
Primeiros Cantos
1977
NRDocumentary about UFF on the occasion of the 15th anniversary of its foundation.
Universidade Fluminense
1975
NRDocumentary about UFF on the occasion of the 15th anniversary of its foundation.
Universidade Fluminense
1975
NRParable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.
Paixão
1965
NRParable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.
Paixão
1965
7.0Documentary about the painter Ismael Nery, which intersperses daily street scenes with paintings by the artist, under the narration of his 1931 Post-Essencialista poem.
Ismael Nery
1979
7.0Documentary about the painter Ismael Nery, which intersperses daily street scenes with paintings by the artist, under the narration of his 1931 Post-Essencialista poem.
Ismael Nery
1979
NRNo synopsis available yet.
Volta Redonda — Capital Brasileira do Aço
1971
NRNo synopsis available yet.
Volta Redonda — Capital Brasileira do Aço
1971
NRThe charming soul of the streets.
Antigamente
2011
NRThe charming soul of the streets.
Antigamente
2011
NR"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."
O Guesa
1969
NR"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."
O Guesa
1969
It is the magazine that continues the Modern Art Week of 22.
Klaxon
1971
It is the magazine that continues the Modern Art Week of 22.
Klaxon
1971
NRParatodos, speech to the University Council of the Fluminense Federal University in May 2007 against the privatization of Unitevê - university channel of Niterói and the dismantling of the University's audiovisual by the Rectory.
Paratodos
2007
NRMusical documentary about Alfredinho's Bip Bip, featuring Cristina Buarque and Elton Medeiros.
Samba em Copacabana
2004
NRMusical documentary about Alfredinho's Bip Bip, featuring Cristina Buarque and Elton Medeiros.
Samba em Copacabana
2004
Prestes on May 1, 1987 at an event held by CUT in São Paulo.
Encontro com Prestes
1987
Prestes on May 1, 1987 at an event held by CUT in São Paulo.
Encontro com Prestes
1987
NRCriticism of renowned filmmakers to the boycott of the 1976 Law that regulated the exhibition of short films in commercial movie theaters in Brazil. The success of the result of this Law fostered the production of films in this category that were very well received by the public. Olho no Olho is a denunciation of the colonialist power that strangles the national audiovisual media and aims to reformat the world in its image.
Olho no Olho
2000
NRIt accompanies the manufacture of soluble coffee.
A Indústria do Solúvel
1971
7.0Set of carioca sketches.
Humor Amargo
1973
7.0Set of carioca sketches.
Humor Amargo
1973
7.0Set of carioca sketches.
Humor Amargo
1973
NR"A view of São Paulo's rural architecture, from the remains of a sugar mill from the 1500s to a farm at the height of the coffee cycle in 1822. Documentary illustrating Morada Paulista, book by Luis Saia". (ACPJ/CCM)
Viagem pelo Interior Paulista
1975
NR"A view of São Paulo's rural architecture, from the remains of a sugar mill from the 1500s to a farm at the height of the coffee cycle in 1822. Documentary illustrating Morada Paulista, book by Luis Saia". (ACPJ/CCM)
Viagem pelo Interior Paulista
1975
NRA short film that summarizes, in three acts, a portrait of Brazil: the constitution, the presidency, and capital – This is Brazil. The contradictions of a country divided between dictatorship and democracy are the focus of the production, which uses fiction to portray Brazil in the early 1980s. Divided into three acts, the short film analyzes the importance of the Brazilian Constitution, the power of capital, and the role of the poet in ambiguous times.
This is Brazil
1984
NRA short film that summarizes, in three acts, a portrait of Brazil: the constitution, the presidency, and capital – This is Brazil. The contradictions of a country divided between dictatorship and democracy are the focus of the production, which uses fiction to portray Brazil in the early 1980s. Divided into three acts, the short film analyzes the importance of the Brazilian Constitution, the power of capital, and the role of the poet in ambiguous times.
This is Brazil
1984
NRA short film that summarizes, in three acts, a portrait of Brazil: the constitution, the presidency, and capital – This is Brazil. The contradictions of a country divided between dictatorship and democracy are the focus of the production, which uses fiction to portray Brazil in the early 1980s. Divided into three acts, the short film analyzes the importance of the Brazilian Constitution, the power of capital, and the role of the poet in ambiguous times.
This is Brazil
1984




