Marjut Rimminen

Nineteen people with differing degrees of visual impairment – from mild nearsightedness to total blindness – discuss how they see themselves, how they see others and how they perceive the world. Unusual images, of burning trees or empty deserts, link the interviews, which vary from deep to funny to poetic.

Marjut Rimminen's and Päivi Takala's animated film sheds light on childhood in post-war Finland. In it, an animated and documentary film combined with a rich sound expression create a multifaceted story.

In a house on a cliff by the sea, a man and a woman live together and eventually have children. When the mother disappears and the father goes for a swim in the sea, the baby is left to be raised by the twin brothers and the cruel, older sister. When they grow up secrets can only be kept for so long.

Mixed live-action and paper maché puppet animation. The disjointed debris of our childhood state still lurking within our adult consciousness act as a painful, disruptive force. A ghost-like little girl keeps tapping on a woman’s consciousness, demanding attention, recalling a traumatic childhood event and thus distorting the woman’s experience of the present.

Two adults balance their sexual behavior on a tightrope with the threat of AIDS/HIV. They receive support from the Red Ribbon, the symbol of the global AIDS/HIV aid organization. They learn to adjust their movements and eventually feel safe.

A series of humorous skits illustrating the experience of women in a male-dominated world.

Made as one of a four part series exploring different aspects of women and the law, on which all the women animators involved researched and worked as a group, before then making individual films, each quite different in content, tone and style. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

A human-political satire about war and peace, optimism and pessimism. A struggle between despair and faith in life, in which neither wins, but life goes on.