Marjut Rimminen

Two adults balance their sexual behavior on a tightrope with the threat of AIDS/HIV. They receive support from the Red Ribbon, the symbol of the global AIDS/HIV aid organization. They learn to adjust their movements and eventually feel safe.

Fourth film in the Blind Justice documentary animation series about women and the law. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

In a house on a cliff by the sea, a man and a woman live together and eventually have children. When the mother disappears and the father goes for a swim in the sea, the baby is left to be raised by the twin brothers and the cruel, older sister. When they grow up secrets can only be kept for so long.

A personal interpretation of the Brothers Grimm tale of the Frog King, made for the Kellogg's Magic Mirror animated fairytale competition, of which it was one of the winners. Script by Simon Bent, voices by Denise Bryer and Peter Hawkins; produced by Ragdoll Productions for the Kellogg Company.

Marjut Rimminen's and Päivi Takala's animated film sheds light on childhood in post-war Finland. In it, an animated and documentary film combined with a rich sound expression create a multifaceted story.

A series of humorous skits illustrating the experience of women in a male-dominated world.

Two adults balance their sexual behavior on a tightrope with the threat of AIDS/HIV. They receive support from the Red Ribbon, the symbol of the global AIDS/HIV aid organization. They learn to adjust their movements and eventually feel safe.

Two adults balance their sexual behavior on a tightrope with the threat of AIDS/HIV. They receive support from the Red Ribbon, the symbol of the global AIDS/HIV aid organization. They learn to adjust their movements and eventually feel safe.

Fourth film in the Blind Justice documentary animation series about women and the law. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

Fourth film in the Blind Justice documentary animation series about women and the law. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

In a house on a cliff by the sea, a man and a woman live together and eventually have children. When the mother disappears and the father goes for a swim in the sea, the baby is left to be raised by the twin brothers and the cruel, older sister. When they grow up secrets can only be kept for so long.

A personal interpretation of the Brothers Grimm tale of the Frog King, made for the Kellogg's Magic Mirror animated fairytale competition, of which it was one of the winners. Script by Simon Bent, voices by Denise Bryer and Peter Hawkins; produced by Ragdoll Productions for the Kellogg Company.

Marjut Rimminen's and Päivi Takala's animated film sheds light on childhood in post-war Finland. In it, an animated and documentary film combined with a rich sound expression create a multifaceted story.

Marjut Rimminen's and Päivi Takala's animated film sheds light on childhood in post-war Finland. In it, an animated and documentary film combined with a rich sound expression create a multifaceted story.

A series of humorous skits illustrating the experience of women in a male-dominated world.

A series of humorous skits illustrating the experience of women in a male-dominated world.

Mixed live-action and paper maché puppet animation. The disjointed debris of our childhood state still lurking within our adult consciousness act as a painful, disruptive force. A ghost-like little girl keeps tapping on a woman’s consciousness, demanding attention, recalling a traumatic childhood event and thus distorting the woman’s experience of the present.

A human-political satire about war and peace, optimism and pessimism. A struggle between despair and faith in life, in which neither wins, but life goes on.

A human-political satire about war and peace, optimism and pessimism. A struggle between despair and faith in life, in which neither wins, but life goes on.

An actor is prepared for the final shot in this pastiche of filmmaking: a two-minute macabre comedy sketch made by a sister and brother, Marjut and Sakari Rimminen, who share every credit on the film.

An actor is prepared for the final shot in this pastiche of filmmaking: a two-minute macabre comedy sketch made by a sister and brother, Marjut and Sakari Rimminen, who share every credit on the film.

An actor is prepared for the final shot in this pastiche of filmmaking: a two-minute macabre comedy sketch made by a sister and brother, Marjut and Sakari Rimminen, who share every credit on the film.