Eliciana Nascimento

“The Singer: A Montford Point Marine” tells the story of Henry Charles Johnson, one of the first African Americans in the U.S. Marine Corps and a professional crooner. Lured by the dignified Marine uniform and the allure of the G.I. Bill, he's abruptly thrown into the bare, segregated world of Camp Montford Point, a far cry from the lush expansiveness of Camp Lejeune he'd imagined. The harsh realities of Southern segregation strike a jarring contrast to his accustomed diversity of Manhattan, escalating further with hostility from drill instructors. Undeterred, his resolve is galvanized by the dream of donning the Marine uniform and the prospects following discharge. Post-discharge, Johnson immerses himself in New York's music scene, enchanting audiences with his soulful, Sinatra-esque timbre. This riveting narrative portrays the unmatched fortitude of the Montford Point Marines, representing a crucial African-American, American, and globally relevant human experience.

Following the tradition of military service in her family, Alene Duerk enlisted as a Navy nurse in 1943. During her eventful 32 year career, she served in WWII on a hospital ship in the Sea of Japan, and trained others in the Korean War. She became the Director of the Navy Nursing Corps during the Vietnam War before finally attaining the rank of Admiral in the U.S. Navy. Despite having no other women as mentors (or peers), Admiral Duerk always looked for challenging opportunities that women had not previously held. Her consistently high level of performance led to her ultimate rise to become the first woman Admiral.

Bravery, compassion and the will to save lives motivated the young Nurse Helen Fairchild to leave home in Pennsylvania and embark on a journey to Europe, where she served as a surgical nurse during World War I before dying on the front lines.

A troubled young girl named Lilly unites with her Afro-Brazilian religious ancestry on a summer visit with family to their ancestral village in rural Northeast Brazil. Soon after her arrival, she encounters Orishas (African Gods) who join with her grandmother to help her find peace with a gift that has previously vexed her.

“The Singer: A Montford Point Marine” tells the story of Henry Charles Johnson, one of the first African Americans in the U.S. Marine Corps and a professional crooner. Lured by the dignified Marine uniform and the allure of the G.I. Bill, he's abruptly thrown into the bare, segregated world of Camp Montford Point, a far cry from the lush expansiveness of Camp Lejeune he'd imagined. The harsh realities of Southern segregation strike a jarring contrast to his accustomed diversity of Manhattan, escalating further with hostility from drill instructors. Undeterred, his resolve is galvanized by the dream of donning the Marine uniform and the prospects following discharge. Post-discharge, Johnson immerses himself in New York's music scene, enchanting audiences with his soulful, Sinatra-esque timbre. This riveting narrative portrays the unmatched fortitude of the Montford Point Marines, representing a crucial African-American, American, and globally relevant human experience.

Following the tradition of military service in her family, Alene Duerk enlisted as a Navy nurse in 1943. During her eventful 32 year career, she served in WWII on a hospital ship in the Sea of Japan, and trained others in the Korean War. She became the Director of the Navy Nursing Corps during the Vietnam War before finally attaining the rank of Admiral in the U.S. Navy. Despite having no other women as mentors (or peers), Admiral Duerk always looked for challenging opportunities that women had not previously held. Her consistently high level of performance led to her ultimate rise to become the first woman Admiral.

Bravery, compassion and the will to save lives motivated the young Nurse Helen Fairchild to leave home in Pennsylvania and embark on a journey to Europe, where she served as a surgical nurse during World War I before dying on the front lines.

A troubled young girl named Lilly unites with her Afro-Brazilian religious ancestry on a summer visit with family to their ancestral village in rural Northeast Brazil. Soon after her arrival, she encounters Orishas (African Gods) who join with her grandmother to help her find peace with a gift that has previously vexed her.

A troubled young girl named Lilly unites with her Afro-Brazilian religious ancestry on a summer visit with family to their ancestral village in rural Northeast Brazil. Soon after her arrival, she encounters Orishas (African Gods) who join with her grandmother to help her find peace with a gift that has previously vexed her.