Alan Schneider

The filmmakers accompany Alan Schneider, director of the American premieres of most of Beckett's plays, and producer Daniel Labeille to the home of Billie Whitelaw, whom Schneider, ironically, had never met previously, and takes us through the rehearsal process of Beckett's newest play, including the recording of the dialogue, as almost all of it is voiceover. The final fifteen minutes of the film are the premiere performance in its entirety.

A man attempts to evade observation by an all-seeing eye.

Two derelicts occupy themselves as they wait for 'Godot' to make an appearance on Pozzo's estate.

This play takes place during Yom Kippur in a post-Stalinist Russian synagogue, where a Rabbi waits for a Western acting troupe and gets extremely angry about the repression of Jews in the Soviet Union.

A one-woman play written by Samuel Beckett at the request of Daniel Labeille. The piece was produced by Labeille on behalf of the State University of New York's Programs in the Arts for a festival and symposium in commemoration of Beckett's 75th birthday (Wikipedia). A self-reflective drama of a figure, W, rocking "to and fro" in her dead mother's rocking chair wearing her mother's sequined funereal garment. With the aid of her pre-recorded voice, W recounts the different phases of a single memory in a bid to connect with "another creature like herself" before rocking herself into an eternal sleep.

In 1971, Alan Schneider directed an historic video taped performance of Samuel Beckett's Krapps Last Tape, starring Jack MacGowran. The play dramatized an old man’s struggle to repossess his youth by searching through reels of audiotape. This performance was originally intended for television but never shown and subsequently put away and forgotten for nearly twenty years. The videotape has been restored and will remain a memorial to the late Jack MacGowran, Alan Schneider and William Ritman.