Lin Hwai-min

No synopsis available yet.

Taiwanese variety show Let’s Go Home, which sees host Bowie Tsang following celebrities back to their respective hometowns.

Reiner E. Moritz revisits the history of dance as viewed through the camera lens.

One Tree Three Lives, an intimate film on the novelist Hualing Nieh Engle, who has been a major influence on generations of writers in the Chinese Diaspora, and beyond. The director has known the author and her family since the Seventies. The film reveals a woman of unusual charisma, integrity and determination, and a person in continual exile. She is the author of 24 books. She also co-founded the International Writing Program in Iowa, USA, with her now deceased husband, the poet Paul Engle. One Tree Three Lives is also their love story.

This major work brings together two of today's pre-eminent dance talents, Akram Khan, world renowned for developing his own 'contemporary Kathak' style, and international superstar Sylvie Guillem, as they explore the dynamics and language of two great classical dance forms, kathak and ballet.

With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

No synopsis available yet.

Taiwanese variety show Let’s Go Home, which sees host Bowie Tsang following celebrities back to their respective hometowns.

My Nostalgia, My Songs is a poetic documentary centered on Lin Hwai-min’s landmark dance work for Cloud Gate Dance Theatre of Taiwan. The music, curated by iconic photographer Chang Chao-tang, weaves Taiwanese folk melodies into reflections on urban migration and collective memory. Through the cinematography and editing of Christopher Doyle, the stage becomes a cinematic space, transforming performance into a sensory meditation on Taiwanese identity and cultural displacement in the 1980s.

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

This dance film presents Dream of the Red Chamber as reimagined by Lin Hwai-min and performed by Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. Inspired by the classic Chinese novel, the story centers on the fragile love between Jia Baoyu, Lin Daiyu, and Xue Baochai, set against the rise and fall of a great aristocratic family. Lin’s choreography frames the tale as a memory: a young man who has left the garden looks back on a vanished world. The Twelve Beauties appear in flowing, embroidered costumes, moving through falling flowers and shifting seasons. Classical imagery merges with contemporary dance, creating a restrained yet lyrical visual language. Premiered in 1983, the work became one of Cloud Gate’s signature productions. In 2005, Lin retired the piece as the company turned toward a more austere, introspective aesthetic. This film preserves a late-stage performance, documenting a key work from Cloud Gate’s early repertoire.

This dance film presents Siddhartha as reimagined by Lin Hwai-min and performed by Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. Inspired by Hesse’s novel and a pilgrimage to Bodh Gaya, where the Buddha attained enlightenment, Lin created a work of stillness and elemental force. The stage is shaped by tons of golden rice grains into shifting landscapes—like rain, waterfalls, and deserts. Georgian folk songs flow through the space as dancers, carrying wooden staffs, move in slow, spiraling journeys, while a monk in white remains motionless. In the final scene, a dancer rakes the grains into vast concentric circles, forming an image of quiet intensity. Premiered in 1994, this 90-minute work is one of Lin’s key creations. Widely toured and acclaimed, it remains among Cloud Gate’s most performed works. Recorded in high definition, this 2013 version stands as the definitive edition of this landmark piece.

This landmark dance film presents *Portrait of the Families*, a defining work by Lin Hwai-min and Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. *Portrait of the Families* is a mournful elegy for loss. Dancers move amid projections of nearly 200 historical Taiwanese photographs collected by Chang Chao-Tang and the voices of oral histories, evoking the deep scars and pain left by the 228 Incident and the White Terror. This film captures the original staging from the work’s 1997 premiere.

"Wild Cursive" is the third piece of Taiwanese dancer and choreographer Lin Hwai-min's Cursive trilogy, a captivating series translating the development of the fascinating art form of Chinese calligraphy into dance. As Lin says himself, the final part marks the climax of the trilogy, because it corresponds to the completely detached, free and highly abstract forms of “spontaneous” calligraphy. The performance contains elements of Tai Chi and is musically accompanied by compositions by Jim Shum and Liang Chun-mei. The performance was recorded in 2009 at the National Theater in Taipei, Taiwan.

This landmark dance film presents Legacy, a defining work by Lin Hwai-min and Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. Premiered in 1978, the work marked one of the first major theatrical productions centered on Taiwan’s own history, leaving a powerful and immediate impact. Built on a strong sense of ritual, Legacy evokes collective memory and identity, reflecting Cloud Gate’s commitment to engaging with society and history through dance. This documentary captures a 2003 performance for the company’s 30th anniversary. With live percussion by JUT Percussion Group and the voice of Chen Da, the dancers push their physical limits in an intense and deeply emotional staging.

This dance film presents Nine Songs as reimagined by Lin Hwai-min and performed by Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. Drawing on ancient ritual poetry, the work evokes prayers to heaven and earth, spirits and ancestors, as well as love and mourning. Masked gods and human figures move together in a ceremonial structure, staging a timeless vision of human experience. Premiered in 1993, Nine Songs became one of Cloud Gate’s most important works. A studio fire in 2008 nearly caused the piece to be lost, but a surviving ceremonial mask remained as a trace of its legacy. This film records the production before the fire, preserving its original form. Moving across layered time and space, the choreography creates a powerful, immersive atmosphere. Through moments of wonder, grief, and ecstasy, the work unfolds toward a state of clarity and quiet transcendence.