Known for
NRBevel Up is an educational film designed to give students and instructors access to the experience of health care practitioners who work with the drug-using population of Vancouver’s Downtown Eastside. Produced by the same street nurses who work with these users on a daily basis, the film contains invaluable knowledge that can't be found in nursing schools and teaching hospitals.
Bevel Up
2015
7.2In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.
A Place Called Chiapas
1998
NRFollowing the unexpected death of their wealthy father, two estranged sisters return home to sort out the estate. But the women share a dark secret from their childhood, one that will lead to a confrontation with the ghastly supernatural creature known as The Barghest. Camp meets horror in this low-budget thriller in the tradition of 1960s William Castle films.
The Barghest
2001
In sixteen chapters containing four and a half hours of materials, Tracks Across Sand offers a unique chance to travel to the edge of the Kalahari, to a struggle for indigenous rights, and into the heart of contemporary South Africa. Driven from their lands, forced into a life of destitution, and denied the right even to speak their own languages, the ‡Khomani San fight for their heritage. Culled from over 130 hours of video recorded between 1996 and 2010, Tracks presents a unique record of the ‡Khomani San, bringing together the story of Africa's first Bushman claim, from preparation through to ten years after the claim was granted. Seen through the eyes and told in the words of the ‡Khomani San themselves, this film chronicles the struggle for indigenous rights by a people who are defying a history that has attempted and failed to make them disappear.
Tracks Across Sand
2012
NRWhen Lulu receives an e-mail from high school friend Duffy, she makes a spur-of-the-moment decision to visit her old pal. Taking her gay friend Fred, the two drive from New York to Maine, where the surprised Duffy welcomes them into her home. In the days that follow all three of them make unexpected connections, even as Lulu begins to suspect that Duffy may be hiding something from her.
(I'm Living) A Charmed Life
2000
Dean Wilson may be Canada’s most powerful junkie. He shoots heroin in Vancouver’s downtown Eastside and strategizes with federal health policy advisors. He is the president of a network of street-level drug users demanding that Vancouver open North America’s first safe injection site – the most controversial step of a daring new drug strategy. Users, residents, activists and police clash while Dean struggles to shake his addiction and discovers an unlikely ally in Vancouver’s conservative mayor.
Fix: The Story of an Addicted City
2002
Behind the camera
NRBevel Up is an educational film designed to give students and instructors access to the experience of health care practitioners who work with the drug-using population of Vancouver’s Downtown Eastside. Produced by the same street nurses who work with these users on a daily basis, the film contains invaluable knowledge that can't be found in nursing schools and teaching hospitals.
Bevel Up
2015
7.2In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.
A Place Called Chiapas
1998
NRFollowing the unexpected death of their wealthy father, two estranged sisters return home to sort out the estate. But the women share a dark secret from their childhood, one that will lead to a confrontation with the ghastly supernatural creature known as The Barghest. Camp meets horror in this low-budget thriller in the tradition of 1960s William Castle films.
The Barghest
2001
In sixteen chapters containing four and a half hours of materials, Tracks Across Sand offers a unique chance to travel to the edge of the Kalahari, to a struggle for indigenous rights, and into the heart of contemporary South Africa. Driven from their lands, forced into a life of destitution, and denied the right even to speak their own languages, the ‡Khomani San fight for their heritage. Culled from over 130 hours of video recorded between 1996 and 2010, Tracks presents a unique record of the ‡Khomani San, bringing together the story of Africa's first Bushman claim, from preparation through to ten years after the claim was granted. Seen through the eyes and told in the words of the ‡Khomani San themselves, this film chronicles the struggle for indigenous rights by a people who are defying a history that has attempted and failed to make them disappear.
Tracks Across Sand
2012
NRWhen Lulu receives an e-mail from high school friend Duffy, she makes a spur-of-the-moment decision to visit her old pal. Taking her gay friend Fred, the two drive from New York to Maine, where the surprised Duffy welcomes them into her home. In the days that follow all three of them make unexpected connections, even as Lulu begins to suspect that Duffy may be hiding something from her.
(I'm Living) A Charmed Life
2000
Dean Wilson may be Canada’s most powerful junkie. He shoots heroin in Vancouver’s downtown Eastside and strategizes with federal health policy advisors. He is the president of a network of street-level drug users demanding that Vancouver open North America’s first safe injection site – the most controversial step of a daring new drug strategy. Users, residents, activists and police clash while Dean struggles to shake his addiction and discovers an unlikely ally in Vancouver’s conservative mayor.
Fix: The Story of an Addicted City
2002
NRHumorous and often poignant accounts of gay bars as important venues for community, organizing, sex, and safety. This film reveals the threat to queer culture of our disappearing social spaces.
Bar Stories from Queer Maine
2018
