Nettie Wild

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

This short animation uses appliqué and embroidered tapestries to recall a young girl's happy summers spent sailing with her family off the coast of British Columbia. Each tapestry, meticulously stitched by hand with brightly coloured yarns, evokes the memory of leisurely days at sea, drifting among the islands.

"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.

"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.

"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.

Bevel Up is an educational film designed to give students and instructors access to the experience of health care practitioners who work with the drug-using population of Vancouver’s Downtown Eastside. Produced by the same street nurses who work with these users on a daily basis, the film contains invaluable knowledge that can't be found in nursing schools and teaching hospitals.

A documentary that chronicles life's natural unfolding when a family tries to live by the seasons instead of by the clock.

In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.

In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.

In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.

Watch 4,000 cattle return from summer grazing to 20 families who share a communal pasture and corral. Mesmerizing visual patterns from sky and ground frame an evocative contemplation of the relationship between human and animals, landscape and architecture.

Putting food security to the test in Yukon, the filmmaker bans all store-bought groceries from her house in a year-long adventure in farming, fishing and foraging complicated by three skeptical teenagers, no caffeine and -40° temperatures.

A portrait and tribute to Canadian filmmaker Deepa Mehta.

A portrait and tribute to Canadian filmmaker Deepa Mehta.

GO FISH takes an abstract dive into the beauty and chaos of the annual Pacific herring migration, when millions of herring return to the Salish Sea to spawn.

Dean Wilson may be Canada’s most powerful junkie. He shoots heroin in Vancouver’s downtown Eastside and strategizes with federal health policy advisors. He is the president of a network of street-level drug users demanding that Vancouver open North America’s first safe injection site – the most controversial step of a daring new drug strategy. Users, residents, activists and police clash while Dean struggles to shake his addiction and discovers an unlikely ally in Vancouver’s conservative mayor.

Dean Wilson may be Canada’s most powerful junkie. He shoots heroin in Vancouver’s downtown Eastside and strategizes with federal health policy advisors. He is the president of a network of street-level drug users demanding that Vancouver open North America’s first safe injection site – the most controversial step of a daring new drug strategy. Users, residents, activists and police clash while Dean struggles to shake his addiction and discovers an unlikely ally in Vancouver’s conservative mayor.

A chronicle of the three points of a political triangle — the legal left, the illegal (armed) revolution, and the enemy which threatens them both: the armed reactionary right. It is 1987. The dictatorship of Ferdinand Marcos has just been overthrown. Newly elected President Corazon Aquino struggles to wrench control of the country from her own military. A Rustling of Leaves poses the key question facing the revolutionaries and the Filipino Left: Should the People’s Movement continue the guerilla war, or do they dare enter legal politics and reveal the hidden face of the revolution?

There is a savage beauty and strange hope that comes from witnessing the surge of a massive migration. The return of blood-red Sockeye salmon up BC’s Adams River has repeated itself for millennia and if left uninterrupted, will do so for centuries to come. Most intriguingly, while the migration of fish repeats year after year, within it, the astounding patterns of dense, roiling salmon never repeat. In pools and back eddies along the Adams River, thousands of salmon create dynamic and mesmerizing patterns. It is natural and colossal. It is moving art. People locked in urban centres can easily forget that rivers in the wilderness exist and that those forgotten rivers provide a heartbeat for humanity. Removed from the surge of migrations, the unknowing and uninformed actions of human kind can threaten to stop that wild heartbeat. Splitting the screen into multiple images, UNINTERRUPTED brings the heart of the river into the heart of the city.

Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.

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