Brian Lipson

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

As America struggled through the Great Depression in the 1930s, a little girl with big dimples and indescribable charm danced her way into the hearts of moviegoers around the world.

An erotic mystery about power and sex, the entanglement of victim and perpetrator, and a man's struggle to regain his lost self.

A collection of four award-winning psychological thrillers full of surreal surprises and mysterious atmosphere. A girl hitchhiking on a deserted road has a strange encounter, two brothers fight to survive a dystopian world, a Czech girl is on the run with a bag of money and a teenager in a mental health clinic makes a strange new friend who has nightmares. Be prepared to face the uncanny.

Jonah is proud to be the loner at the teenage mental health clinic, taking pleasure in making the other patients uncomfortable. But when he is forced to share a room with the newly admitted Richard, the boys become locked in a battle of wills.

A young woman visits the island factory of Rossum's Universal Robots to emancipate the robots from capitalist exploitation, with catastrophic results.

Melbourne, 1886. Two gentlemen climb into a hansom cab late one murky night. One man climbs out, the other travels on to St Kilda. On arrival, the driver finds the second man dead; murdered. The ‘high-society’ killing sends shockwaves through the young city, still flush from its gold-rush boom.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

When Chinese-Australian teenager Lawrence cheats at and fails his high-school exams, destroying his dreams of a medical degree, he's banished to the country for the summer. There, he meets wily old conman the Professor and his cynical daughter Sarah, and learns that even the sneakiest scam can't conjure up love. Is it a true story? That might be another of Leung's tricks.

The Eureka Stockade was a civilian revolt against the gold licence. Drawings and archival photographs depict the events that lead to the battle between gold miners and authorities at the Eureka Stockade. It describes the emergence of Peter Lalor as the leader of the Stockade and how the diggers used the Southern Cross flag.