Torquato Neto

Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.

Apocalipopótese documents a public art happening organized by Rogério Duarte with Hélio Oiticica and Lygia Pape. Duarte coined the event’s title by fusing the words apotheosis, hypothesis, and apocalypse, in order to describe a series of artistic actions that distanced themselves from artistic institutions to approach the streets as the main stage. Apocalipopótese shows a search for the margins as creative methodology.

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A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

On the street, two boys meet. The film moves towards homoerotic suggestions of delicacy and violence. Accompanied by the fast camera, the performances of Torquato Neto and Zé Português dialogue with the soundtrack, composed of songs sung by Luiz Melodia, such as Negro Gato. Graphic elements and posters make up the narrative.

A sound and visual journey that portrays the life and work of singer and composer Luiz Melodia. The Poet of Estácio himself tells us, in the first person, his trajectory as a black boy born on the hill until his transformation into one of the greatest artists in the history of MPB. The film also features an unpublished collection made available by Jane Reis, his wife and businesswoman.

A documentary chronicling the life and works of Brazilian poet, songwriter, journalist and avant-garde filmmaker Torquato Neto, from his beginnings to his suicide at the age of 28.

Compilation of early Ivan Cardoso's films in Super 8, including "Nosferato no Brasil (Nosferato in Brazil)"

The story of Brazilian poet Torquato Neto, who lived passionately through fracturous times and worked in several fields, including music, journalism, and cinema. He was an active participant in the revolution of Tropicália and marginal art, which changed the course of Brazilian culture in the 1960s and 1970s, until he committed suicide on his 28th birthday.

Unfinished and lost film, which would originate the Cycle of Marginal Cinema of Teresina in Piauí, starringbyClaudete Maria and Torquato Neto,hewas shot using a Super-8 camcorder.

A reflection on the works and thinking of the last years of production by Torquato. Such as the magazine "Navilouca", the film "Terror da Vermelha", the column "Geleia Geral" and the controversial Cinema Novo X Marginal, among other passages important aspects of Brazilian culture in the 60s and 70s.

Brazilian poet Torquato Neto's only incursion on filmmaking, "Terror da Vermelha" is an avan-garte horror film shot with a Super 8 camera at Teresina, Piauí.

In 1988, Brazilian rock band Titãs recorded "Go Back", a song with lyrics written by the late poet and songwriter Torquato Neto. A music video was made by Ivan Cardoso from scenes of his 1970 film "Nosferatu no Brasil", starred by Torquato.

Budapest, 19th century: Nosferatu is killed by a prince. Now in colour and on holiday in Brazil, he saps several natives.

Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

Brazilian poet Torquato Neto's only incursion on filmmaking, "Terror da Vermelha" is an avan-garte horror film shot with a Super 8 camera at Teresina, Piauí.

Brazilian poet Torquato Neto's only incursion on filmmaking, "Terror da Vermelha" is an avan-garte horror film shot with a Super 8 camera at Teresina, Piauí.