Ada Bligaard Søby

A short comedy film about BAGUETTES and SEXISM in the workplace. Touches on BLM, gender inequality and tennis. Created during COVID-19 lockdown in Copenhagen, Denmark.

After being hit by a truck in Berlin, a New York guy creates, by cell phone and at the hospital, a kind of connection with the woman that he was going to meet before the incident.

No synopsis available yet.

It is winter in Saint Petersburg and the streets of the former capital are teeming. Half naked sunbathers stand in the snow; fledgeling dancers watched by throngs of teens are an explosion of underground fashion; a therapist who cannot afford an office sees clients in his car; immigrant street cleaners wander estates in orange vests, hoping they won’t be mistaken for terrorists. Saint Petersburg makes do with what it has.

A groping couple in an old movie house is magically transported to the dark woods of Finland where harpies look like Betty Page and ghosts are ready to sew your stuff back together after your girlfriend cuts it to shreds.

When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.

A short comedy film about BAGUETTES and SEXISM in the workplace. Touches on BLM, gender inequality and tennis. Created during COVID-19 lockdown in Copenhagen, Denmark.

A short comedy film about BAGUETTES and SEXISM in the workplace. Touches on BLM, gender inequality and tennis. Created during COVID-19 lockdown in Copenhagen, Denmark.

A short comedy film about BAGUETTES and SEXISM in the workplace. Touches on BLM, gender inequality and tennis. Created during COVID-19 lockdown in Copenhagen, Denmark.

After being hit by a truck in Berlin, a New York guy creates, by cell phone and at the hospital, a kind of connection with the woman that he was going to meet before the incident.

After being hit by a truck in Berlin, a New York guy creates, by cell phone and at the hospital, a kind of connection with the woman that he was going to meet before the incident.

No synopsis available yet.

It is winter in Saint Petersburg and the streets of the former capital are teeming. Half naked sunbathers stand in the snow; fledgeling dancers watched by throngs of teens are an explosion of underground fashion; a therapist who cannot afford an office sees clients in his car; immigrant street cleaners wander estates in orange vests, hoping they won’t be mistaken for terrorists. Saint Petersburg makes do with what it has.

A groping couple in an old movie house is magically transported to the dark woods of Finland where harpies look like Betty Page and ghosts are ready to sew your stuff back together after your girlfriend cuts it to shreds.

When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.

When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.