Jorge Forero

Marcos, a withdrawn park ranger, sees the fragile balance achieved in his isolation collapse with the arrival of a couple of biologists investigating strange bird deaths. Unfortunately, the desire and envy for normality represented by the couple awaken the monster he has been trying to control. His face, his legs, and his arms don’t belong to him and as the desperation becomes incontrollable, he can only see one way out: mutilation.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

Anna pays a surprise visit to her grandmother's country house, hoping to spend the weekend with her. Her mother, Yulia, is also there. But Anna was raised by her grandmother and is not close to her mother. The three of them live together in this quiet country house, where long-standing conflicts become invisible and hidden secrets and traumas are uncovered.

Embodies the ancestral resonances of his Wayuu lineage. It presents a narrative that brings together the threads of his grandfather's long journey – a tapestry of longing and memory, tracing José Agustín's forced separation from his immediate family in La Guajira and being plunged into the strict confines of a Catholic education.

An exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.

Marcos, a withdrawn park ranger, sees the fragile balance achieved in his isolation collapse with the arrival of a couple of biologists investigating strange bird deaths. Unfortunately, the desire and envy for normality represented by the couple awaken the monster he has been trying to control. His face, his legs, and his arms don’t belong to him and as the desperation becomes incontrollable, he can only see one way out: mutilation.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

Anna pays a surprise visit to her grandmother's country house, hoping to spend the weekend with her. Her mother, Yulia, is also there. But Anna was raised by her grandmother and is not close to her mother. The three of them live together in this quiet country house, where long-standing conflicts become invisible and hidden secrets and traumas are uncovered.

Anna pays a surprise visit to her grandmother's country house, hoping to spend the weekend with her. Her mother, Yulia, is also there. But Anna was raised by her grandmother and is not close to her mother. The three of them live together in this quiet country house, where long-standing conflicts become invisible and hidden secrets and traumas are uncovered.

Anna pays a surprise visit to her grandmother's country house, hoping to spend the weekend with her. Her mother, Yulia, is also there. But Anna was raised by her grandmother and is not close to her mother. The three of them live together in this quiet country house, where long-standing conflicts become invisible and hidden secrets and traumas are uncovered.

Embodies the ancestral resonances of his Wayuu lineage. It presents a narrative that brings together the threads of his grandfather's long journey – a tapestry of longing and memory, tracing José Agustín's forced separation from his immediate family in La Guajira and being plunged into the strict confines of a Catholic education.

An exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.