Daniela Silverio

Psychological drama of the compelling relationship between a young French engineer and the girl he takes into his home after his wife has left him with their baby son.

A tribe of vicious female warriors terrorizes the countryside, and especially the males, until one day the men and some local villagers decide to fight back.

Maria Gouveia is a character with a secret past, which she intends to hide at all costs. In her eagerness to hide that past, she commits a homicide, witnessed by a man whose existence she is unaware of. That man is the lawyer Óscar Summavielle, who manages to become her defense lawyer and, constructing an alibi for her, proves in court that she is innocent, although he knows she is guilty. Marta and Óscar are led into a game of passion that will take them beyond all conventions...

Adrien Daubigny, director at INSEE, warns his wife Anna that he now wants to lead his life by chance. Anna and her two children agree to his leaving. The family must meet again a year later.

Movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.

A young girl is sent to a Venezuelan hacienda, where she learns about the life of her reclusive aunt, Oriana.

Retelling of the story of Dido

It is in the late 1930s, and Cesare Pavese, a writer, with two of his friends meets a very uninhibited noble couple.

An experimental video variation on Shakespeare's Hamlet.

No synopsis available yet.

Riccardo III is a theatre play staged in 1977 and also edited for television and aired in 1981, which Carmelo Bene dedicated to his friend Gilles Deleuze, who wrote a book about it before even seeing it. Bene strips down the original Shakespeare play to the core, rejecting plot and characters, leaving on stage only Riccardo III and his ghosts, the female characters. The TV version is characterized by an exstensive use of close-ups and strong light contrast.