Luiz Gonzaga

Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.

No synopsis available yet.

Musician Alceu Valença revisits his career, from his first contact with music, when he was still young, through the 1970s, when several names in music from the Northeast gained space on the scene.

Through rare and precious footages and gigs with great artists such as Gilberto Gil, Gal Costa, Hermeto Pascoal, Djavan, Nara Leao, Luiz Gonzaga, among many others, "Dominguinhos" reveals this genius of Brazilian music, creator of a deeply authentic, universal and contemporary work. The film values the sensory cinematic experience, a journey driven by Dominguinhos his own.

Composer Gilberto Gil accompanies filmmaker Andrucha Waddington to the Northeast of Brazil. Among the rural communities in the region, Gil and Waddignton participate in the Catholic celebration of Saint John's Day with music and dance. Waddington also analyzes the suffering of the population trying to survive through agriculture in difficult terrain.

A hard working man goes to São Paulo to look for his twin brother unaware that he's famous for his lazyness.

Participants recall a series of festivals held on a farm in Brazil during the '70s and '80s that evolved into liberating celebrations of music.

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Seeing his farm in ruins, swindler tries to sell it to the first interested person, who happens to be a man who fakes being a millionaire but in fact cannot pay for the estate.

Luiz Gonzaga decides to change his destiny and leaves his childhood home for the big city to overcome a romance. When he arrives, he meets a woman he falls in love with, the Odaleia (Nanda Costa). After the birth of his son and his wife's health complications, he decides to return to the road to ensure a better future for his son. He has a friend in Rio de Janeiro and with him leaves the little one and heads to Brazil. He didn't imagine that this distance between them would develop into a complicated relationship, enhanced by the strong personalities of both. Based on conversations between father and son, this is the story of Luiz Gonzaga, a singer and accordion player known as Rei do Baião or Gonzagão.

Spider, a banker, lives with three women. A tycoon that is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.

Born in Arcoverde, in the backlands of Pernambuco, the lonely boy who was raised by his father after his mother left, João Silva soon discovered a passion for the northeastern rhythms, such as the baião, xote and forró. He went to Rio de Janeiro when he was still a little boy to meet the idol Luiz Gonzaga. Both men, who were not very fond of each other when they first met, became not only great friends but also partners in many hits like “Doutor do Baião”, “Nem se Despediu de Mim” and “Pagode Russo”.

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No synopsis available yet.

A short documentary on Belair, an independent Brazilian film company that lasted for only five months in 1970.

A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.

No synopsis available yet.

A Brazilian musical comedy

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.