Jan Hraběta

Capturing the dark humor of Czech author Michal Viewegh's chronicle of life after the Velvet Revolution, this black comedy chronicles three decades in the life of a small Czech family. While the original novel centered on the protagonist Kvido from his conception through his adulthood, first time director Petr Nikolaev and screenwriter Jan Novak changed the focus to his parents Milena, an extremely self-effacing lawyer who acts on stage in her spare time, and Ales, a rather aimless government worker who tends to drift wherever the wind takes him. The lives of Ales and Milena change dramatically following the Russian invasion of Prague in 1968.

As the name suggests, the movie is about football. It is not about big league soccer, making huge money. It is about football, which lives just from village fans enthusiasm, from the enthusiasm of fathers and their sons and club officials. And yet on this battlefield, where the pub and silent household alternates, it is often about everything: friends, family, the meaning of life. It is about playing fair, but also about fighting below the belt. It is about winning, but also about falling into the abyss of the league wilderness.

Building themes, however modified, permeated the nationalised cinema throughout its existence. This time, director Július Matula has focused on a young engineer who, with high hopes, accepts a position in a famous agricultural cooperative. However, he soon discovers that behind the proclaimed phrases there is in fact hypocrisy and protectionism. The authors criticise the fact that incompetence is often covered up, that shortcomings end up being cleverly camouflaged, that the social mood favours the mediocre and the adaptable. The hauers present a statement that is courageous, so to speak, within the limits of the law, and call for increased work consciousness.

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".

No synopsis available yet.

Two brothers live with their mother in an old house on the outskirts of town. They both work in a printing house. Elder Bóža is a quiet, responsible person with views determined by the Christian faith. Dan is a dude who revels in pub fun. Only after the tragic death of a person, he begins to understand that something is missing in his life.

No synopsis available yet.

Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.

Prince Victor looks in vain for a swan which was wounded by one of his servants. Instead he discovers a beautiful girl with golden hair who has an arrow in her shoulder. She is dumb and can't explain her origin. He falls immediately for her. The girl quickly recovers, but disappears mysteriously.

The sick King Jorgen worries about the marriage of his daughter Elena. The fairytale-like, dramatic confusion triggers a shimmering golden fire bird with its wondrous song every full moon night - it makes the king heal and brings the "good" prince as husband of the "good" Princess Elena.

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.

Antony is obsessed with the idea of a happy family life, but his young daughter has to be cared for by the parents of his wife, who died in a car accident. Unfortunately, Martha, whom Antony has somewhat recklessly married, has a fundamentally different vision of her future than he does.

The film consists of five parts - a live-action framing story and four distinct animated episodes - each by a different creative team and in a different animation style, from Pojar and Koutský’s semi-plastic “Princess Who Never Smiled,” through Žabka’s puppet fable “The Fairy and the Bookkeeper,” Dlouhá and Váša’s paper-cut “Fisherman, His Wife, and the Golden Fish,” to Pixa’s near-future parable “Mr. Vincent”.

No synopsis available yet.

A directors autobiography about his debut during the rise of socialism.

Dana is young medical student with no self esteem, she can't deal with life, people and even not with herself. After her boyfriend leaves her, she changes to selfish woman, manipulating people and making them to serve her. She plays with her husband, neighbors and friends - for her own good and for fun.

The fate of father and son Horáček, but this time they switched roles. Jirka has married, settled down and grown up, while his father is in trouble because he has "second lymphoma" and, feeling that he is missing the last train, he starts a relationship with a stripper, Ala, dyes his hair, but mostly he likes a pretty and kind nurse, Lucie. Although he behaves in such a way that it seems to others as if he has lost his mind, everything turns out well, of course.

The film, which opens with students arriving at a police academy, is a crazy comedy that is more a series of zany episodes and jokes than a coherent story. They are linked by a simple plot in which the commander of the police academy, Major Maisner, searches among his recruits for an alleged FBI spy and, after a not-so-subtle practical joke, gets into a dispute with his subordinate, a dispute that ends in a genuine bank robbery.

The result of a clash between two intellectual forces: the artist's irrepressible creative instinct and the equally irrepressible instinct of the small Czech self-sufficient farmer. While on the one hand we see an admirable effort to understand and portray the world and get to the essence of human behavior, on the other hand we encounter only a mundane effort to dry a few mushrooms for the winter. In the case of this play, Josef Padevět's small, bitter world unfortunately prevails.

Famed outlaw Lotrando sends his son to a strict Catholic boarding school to learn manners, but the boy becomes too polite to lead the band. When they inadvertently arrive in a sultanate where the princess Zubeida lies gravely ill and are mistaken for physicians, father and son must overcome their inexperience and imposture to heal her and save the realm.