Osvaldo Doimeadiós

It's the late 1980s in Cuba, and in an isolated ranch in a small town near Santa Clara, lives Vilma, a young nurse who dreams of a better place to raise her upcoming baby, along with her disabled husband Ivan. However, neither her skills as a nurse nor as a shooter will free Vilma from her harsh reality until a natural phenomena sweeps her away and Vilma wakes up in a place where it seems her dream will come true.

A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story.

Revolves around a love triangle that later evolves into a love square involving three Cubans and a Soviet soldier. Set in a fictitious rural village near a Soviet military base in central Cuba, their amorous adventures, or misadventures, unravel against the backdrop of the 1962 Cuban missile crisis.

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

When Spanish record producers express interest in Cuban musicians Ruy and Tito, the longtime friends are faced with the prospect of leaving their loved ones behind. After years of hoping and dreaming, they've finally earned the opportunity to bring their music to the rest of the world. But are the emotional trade-offs worth it in the end?

In the wake of his estranged father’s death, Jim Acosta a U.S. Marine goes to Havana to learn about his father’s past. He discovers that his grandfather, Mario, is still alive and the owner of a boxing gym in Havana. Jim convinces Mario to train him and a bond is created that will change them both.

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Cuba has changed in the near future, but Nicanor and his friends still meet in a park to talk about politics…

The story of Iluminada, a woman who, having studied to be a literature teacher, ends up working as an usher in an iconic cinema in Havana.

Rodrigo, a famous European artist, comes to Cuba to create a collage using photos of one hundred Cuban artists. Wanting the photos to reflect the anguish inherent in the creative process, he can think of nothing better than hiring the worker Nicanor O’Donnell to punch the one hundred artists in the face for a fee of five euros per head. Knowing that the collage will be exhibited all over the world, the artists line up to be beaten. Nicanor, who at first believes he has stumbled upon the deal of his life, is dismayed to discover that he must hit elderly people, women, artists he admires…

In a boarding school, Raidel is witness to the abuse suffered by his schoolmate Randy.

Under the threat of a hurricane pending over the city, Lubrini is looking for his lover, who disappeared in the streets of Havana.

When her father goes missing, 13 year old Lili uses a spiritual ritual to find him but she gets it wrong and her life turns into a nightmare.

The acquisition of a refrigerator is the excuse to expose the happiness and problems of a classic Cuban family in the 50's.

Alex and Edith, a young couple in their 30s, live their relationship made up of small gestures and everyday life among the ruins of Cuban buildings. Milagros, an elderly woman now retired, tries to survive by selling peanuts and spends her days listening to the radio and reading old letters. Frank and Alain, two nine-year-old friends, go to school and dream of emigrating together to the United States to become Major League Baseball players. Against the backdrop of San Antonio De Los Baños, a town in inland Cuba where time seems to stand still, these three narratives and their respective worlds unfold. Over this mosaic of contemporaneity, however, brought to life through the characters' memories, hovers the specter of separation, the true great scourge of Cuban society.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

Young Doctor Ana lives alone because she couldn't bear to leave Cuba when her family sailed away on a raft to the US. Ernesto lives in his car with his belongings in a small case, traveling from embassy to embassy trying to fulfill his dream of leaving Cuba. These Star-crossed lovers long to be together, they are pulled apart by different dreams rooted in different countries. In his directorial debut, Alejandro Brugués offers his personal view on the insistently revisited theme in Cuban art and literature - emigration and the laceration that it implies.

When Lapatun is late for his math test, he invents a fantastic story to explain his tardiness. His extraordinary but seemingly true tale causes excitement and disorder among the students and concern to the teachers at his school. As events develop – both real and imaginary – doubts emerge about as to whether Lapatun’s story is true or not.