Markku Lehmuskallio

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

Deaf artist Joel lives with his parents on a small farm, where he and his paintings are not appreciated.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

A Finnish adaptation of Notes from Underground by Fyodor Dostoevsky.

The film is both a folkloric film and a social documentary about the Selkupi people who live in Siberia and make their living from hunting and fishing. The film follows the life of Yuri Mikhailovich Kalin's family, which consists of fishing, trapping fur animals, and bartering their catch for food and other goods. The film also describes the gradual disappearance of the Selkup way of life, as young people are no longer very interested in the traditions of their people and many of them move to villages to live and seek work in the oil industry.

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

Deaf artist Joel lives with his parents on a small farm, where he and his paintings are not appreciated.

Deaf artist Joel lives with his parents on a small farm, where he and his paintings are not appreciated.

Deaf artist Joel lives with his parents on a small farm, where he and his paintings are not appreciated.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

The film is both a folkloric film and a social documentary about the Selkupi people who live in Siberia and make their living from hunting and fishing. The film follows the life of Yuri Mikhailovich Kalin's family, which consists of fishing, trapping fur animals, and bartering their catch for food and other goods. The film also describes the gradual disappearance of the Selkup way of life, as young people are no longer very interested in the traditions of their people and many of them move to villages to live and seek work in the oil industry.

The film is both a folkloric film and a social documentary about the Selkupi people who live in Siberia and make their living from hunting and fishing. The film follows the life of Yuri Mikhailovich Kalin's family, which consists of fishing, trapping fur animals, and bartering their catch for food and other goods. The film also describes the gradual disappearance of the Selkup way of life, as young people are no longer very interested in the traditions of their people and many of them move to villages to live and seek work in the oil industry.

Nedarma (Travelling) is one of several documentary features co-directed by Anastasia Lapsui and Markku Lehmuskallio that portray the daily lives of the Nenets, Lapsui’s tribe based in the northern tundra of Siberia. The film invokes Nenets cosmology as a way of leading into a filmic structure that portrays the arc of life from birth to death.

Nedarma (Travelling) is one of several documentary features co-directed by Anastasia Lapsui and Markku Lehmuskallio that portray the daily lives of the Nenets, Lapsui’s tribe based in the northern tundra of Siberia. The film invokes Nenets cosmology as a way of leading into a filmic structure that portrays the arc of life from birth to death.

In the 1860’s Alaska and Finland are simultaneously parts of the Russian Empire. A Finnish mining engineer Simon buys a Tlingit girl named Tsamo and decides to bring her to Finland. The child, Tsamo, is baptized and Simon starts to teach her European manners. Tsamo thinks she’s married to Simon and acts accordingly, but when Simon marries a lady of his own age and class, she gets confused. Simon is forced to send the girl away and the battle over Tsamo’s identity takes complicated turns.

In the 1860’s Alaska and Finland are simultaneously parts of the Russian Empire. A Finnish mining engineer Simon buys a Tlingit girl named Tsamo and decides to bring her to Finland. The child, Tsamo, is baptized and Simon starts to teach her European manners. Tsamo thinks she’s married to Simon and acts accordingly, but when Simon marries a lady of his own age and class, she gets confused. Simon is forced to send the girl away and the battle over Tsamo’s identity takes complicated turns.

An elderly Nenets woman in teepee on northern Russia's Yamal Peninsula recounts her early life betrothed to a deity for the entertainment of a blind young girl. In the Nenets culture, a girl child can be married to holiest of holies, Num, before or after her birth. Lonely old Numd' Syarda (which means, literally, 'tied to Num') entertains the blind young Ilne ('giver of life') with stories of how she became one of these chosen few.

Story about life and death according to Chukchi people who live in Chukchi Peninsula as far in the East as one can go.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Ethnographic documentary.

Ethnographic documentary.

The history of Finland through traces of the past.

The history of Finland through traces of the past.

The history of Finland through traces of the past.

A hunter brings a feathered bird as an offering to the goddess of his ancestors. Tapiola is a film-poem in defense of nature and humanity. It is also a documentary that tells the story of modern man's loss of contact with the environment and its transformation into a commodity.

A hunter brings a feathered bird as an offering to the goddess of his ancestors. Tapiola is a film-poem in defense of nature and humanity. It is also a documentary that tells the story of modern man's loss of contact with the environment and its transformation into a commodity.

Anna tells the story of a woman of the Nganasan, a severely endangered people of the Taymyr Peninsula.

Anna tells the story of a woman of the Nganasan, a severely endangered people of the Taymyr Peninsula.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

An anthology of stories about the indigenous Nenet peoples of the Northern Russian tundra, and how their way of life was disrupted by the advent of Soviet power.

A little Nenets girl Neko is taken against her will from her home to a boarding school in a remote Russian village. Forced to adapt to a foreign culture and new customs, Neko rebels and decides to flee, hoping to get back to her family and old habits.

No synopsis available yet.

No synopsis available yet.

A close and passionate look at the art of arctic peoples from the earliest findings to the beginning of the 20th century. “There are no talking heads, there is no dramatic lighting or sharp focus in these two long movies. Rather, each object is lovingly filmed, as if inviting the artwork to converse with us. Lehmuskallio has discovered how to let his camera speak to the art, and how to let the art reply, and thereby this northern art can speak with us as well.” (Kathleen Osgood, in Uralic Imaginations on Film)

A film about herder Niila and Sami environment in the time of change and plight. First partly Saami language fiction film in Finland.