Markku Lehmuskallio

A Finnish adaptation of Notes from Underground by Fyodor Dostoevsky.

This Finnish documentary film directed, written, produced and shot by Markku Lehmuskallio is the first part of a documentary trilogy about the Nenets people. It's a folkloric documentary describing the traditional nomadic life of the Nenets on the Yamal Peninsula. It includes Nenets songs sung by Anastasia Lapsui and her mother Maria Lapsui. The film was the first film collaboration of Markku Lehmuskallio and Anastasia Lapsui.

Markku Lehmuskallio, Finnish, is a woodsman turned filmmaker. Anastasia Lapsui, born under a Nenètse tepee and the granddaughter of a shaman, became a radio journalist in the Nenètse language and has never stopped singing the stories of the tundra. They met 30 years ago, and have been making documentaries and feature films together ever since, inspired by the lives and legends of the Arctic peoples of Siberia, Canada and Scandinavia. Two beings united to create a cinema of resistance, inspired by the sacred breath of myths and the relationship that the cultures of the Far North once had with Mother Earth.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

In the 1860’s Alaska and Finland are simultaneously parts of the Russian Empire. A Finnish mining engineer Simon buys a Tlingit girl named Tsamo and decides to bring her to Finland. The child, Tsamo, is baptized and Simon starts to teach her European manners. Tsamo thinks she’s married to Simon and acts accordingly, but when Simon marries a lady of his own age and class, she gets confused. Simon is forced to send the girl away and the battle over Tsamo’s identity takes complicated turns.

In the 1860’s Alaska and Finland are simultaneously parts of the Russian Empire. A Finnish mining engineer Simon buys a Tlingit girl named Tsamo and decides to bring her to Finland. The child, Tsamo, is baptized and Simon starts to teach her European manners. Tsamo thinks she’s married to Simon and acts accordingly, but when Simon marries a lady of his own age and class, she gets confused. Simon is forced to send the girl away and the battle over Tsamo’s identity takes complicated turns.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

The film follows researchers working at a Canadian research station as they become acquainted with Inuit culture.

A hunter brings a feathered bird as an offering to the goddess of his ancestors. Tapiola is a film-poem in defense of nature and humanity. It is also a documentary that tells the story of modern man's loss of contact with the environment and its transformation into a commodity.

A hunter brings a feathered bird as an offering to the goddess of his ancestors. Tapiola is a film-poem in defense of nature and humanity. It is also a documentary that tells the story of modern man's loss of contact with the environment and its transformation into a commodity.

An anthology of stories about the indigenous Nenet peoples of the Northern Russian tundra, and how their way of life was disrupted by the advent of Soviet power.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

Story about life and death according to Chukchi people who live in Chukchi Peninsula as far in the East as one can go.

An elderly Nenets woman in teepee on northern Russia's Yamal Peninsula recounts her early life betrothed to a deity for the entertainment of a blind young girl. In the Nenets culture, a girl child can be married to holiest of holies, Num, before or after her birth. Lonely old Numd' Syarda (which means, literally, 'tied to Num') entertains the blind young Ilne ('giver of life') with stories of how she became one of these chosen few.

Ethnographic documentary.

Ethnographic documentary.

Anna tells the story of a woman of the Nganasan, a severely endangered people of the Taymyr Peninsula.