Mariana Nunes

The life story of Brazilian football legend, Pele.

In the concrete jungles of lawless futuristic Brazil, enemies spout slam poetry in duels as their movements remind us of parkour. The adrenaline rush breaks into three timelines: the past introduces teenager Riobaldo and handsome Diadorim, the present depicts a bloody clash and reveals sexual identities, and the future exposes Riobaldo’s deal with the devil.

No synopsis available yet.

Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.

In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

Based on the biography of Luiz Gama, one of the most important characters in Brazilian history, a black man who used the laws and courts to free more than 500 slaves. Born of a free womb, Gama was sold into slavery at the age of 10 to pay off his father's gambling debts. Even as a slave, he became literate, studied and earned his own freedom, becoming one of the most respected lawyers of his time. An abolitionist and republican who inspired an entire country.

Nando, a 12 year old boy, narrates the adventures of his father Antonio, during the 60s in Brazil, who leaves the inland of the state of Minas to go to Brasília, a recently inaugurated city, but still with construction works in progress.

The film “Amores Pandêmicos” portrays the story of three couples who experience different phases of love during quarantine. As the pandemic continues, the characters are forced to seek new ways to create, love and maintain healthy mental health, which is somewhat impossible.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.

"Pureza" tells a story of a mother, Pureza, who goes in search of her son, Abel, disappeared after leaving for the mining in the Amazon.

No synopsis available yet.

The Alemão community in Rio de Janeiro is known for its high crime rate. Once again, a team faces drug trafficking to try to carry out the proposals inside the complex.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

No synopsis available yet.

In 2011 Portugal began the so-called "year of the Troika" (EU, IMF and ECB budget cuts and economic restructuring), with the level of debt among the Portuguese people reaching staggering amounts and a growing number of families and companies unable to repay their installment loans. Jorge is an unemployed boxer on the verge of losing his son and his wife, who has decided to return to Brazil. As a means of paying off his debt and persuading his wife to remain in Portugal, Jorge accepts a job with a debt-collection agency, which will drag him into a world of violence and crime.

Biopic about the late Joãozinho Trinta, a self-taught classical dancer who turned Rio's Carnival into an international phenomenon in the 1970s and '80s by directing parades for samba schools and putting focus on costumes and decor.

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.

Five undercover cops at Complexo do Alemão, one of Rio de Janeiro's most dangerous areas, have their covers blown by drug dealers. Arrested, they wait execution or to be rescued by police forces that would risk expose a larger operation.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

11-year-old Lucas finds a philosophy book by Nietzsche in the city dump, discarded by its previous owner. This improbable meeting will be the beginning of a violent revolution in his mind, within his family and within society. In the end, Lucas will be no longer a boy -- He will be dynamite.

Under the masks and fantasies of another day in Rio's suburbs, the intense reality of families and neighbors living in a neighborhood under the domain of the expansive militia is hidden.

The special features 22 real testimonials from people like Mandela, Martin Luther King and Marielle Franco, who fought racism and freedom in favor of justice.

Where do you draw the line between fact and fiction in one man's life? That's the issue confronting an art expert delving into the biography of a painter who drowned 50 years ago, whose presence suddenly makes itself felt through the appearance of a contemporary friend.

Cinelimite presents a video essay by Juliano Gomes and Mariana Nunes, in which they delve into the symbolism of Compasso de Espera: a film conceived by Zózimo Bulbul and Antunes Filho in response to the lack of opportunities for Black professionals in the film industry in the late 1960s.