Directing
Kurt Rosenthal
Born 1938-01-01 · Solingen, North-Rhine-Westphalia, Germany
Acting credits
Behind the camera
NRA film in three episodes: "Boarding House", "Chaparro Always Pays" and "Little Saturday".
Una Raya Más al Tigre
1981
Profile of Don Roberto Teves, a healer who inherited medicinal knowledge from his parents and grandparents, originating from ancient Inca Peru.
Lo aprendí en Cora Cora (1ª parte)
1988
Filming in the town of Barranca about the formation of an artisanal fishing cooperative in Caleta Vidal with support from the German Foundation Neumam 3.
Neuman 3 llama a Caleta Vidal
1981
It showcases the copper prospecting and industrialization systems implemented in the Cajamarca area.
Buscando los tesoros de la tierra
1982
Montage of several photos of the work process of a Turkish guest worker.
Für ausländische und deutsche Arbeiter
1973
A new piñata for a children's party is mistakenly thrown in the trash.
La Piñata
1991
Filming in Satipo depicts the life of a rural child and his family within the social, cultural, economic, and ecological conditions in which their daily life unfolds.
Mucho café para un machete
1981
Bilingual education (Spanish - Quechua and Spanish - Aymara) in Puno.
Cien escuelas para dos lenguas
1983
The Importance of the Coca Leaf in the Cultural and Magical Life of Peru. A documentary commissioned by Westdeutscher Rundfunk Cologne – Germany.
Coca no es Cocaína
1986
The problem that forest depletion represents for the native Campas people.
Hablan Tres Niños Campas
1980
The use of the manguaré drum for interpersonal communication. A native explains his ailments to a healer who lives far from his home using the manguaré drum.
Cómo llamar a Don Braulio
1986
A children's film depicting the consequences of rain in Peru. A WDR production.
Inundación
1984
Influenced by the gold rush, a peasant from the mountains goes in search of the precious metal.
Fiebre de Oro
1983
Kurt Rosenthal has animated 102 abstract landscape drawings made by Werner Nöfer as frames for this film in such a way that they take on a continual travelling motion, varying the order and detail shown. When the movement – and the accompanying motor noise – stop, the film strip itself becomes the subject of the film. In Oberhausen in 1971, the film was counted as being among the ‘Trip’ films.
Storyboard
1970
Profile of Roberto Tevés, a traditional herbal healer who longs to return to his native land of Cora Cora (Ayacucho), but has already put down roots in the capital and its comforts.
Regresar es mi meta
1989
Afro-Peruvian dances for Christmas in Chincha.
El Baile de los Negritos
1980
Construction of a sports complex carried out by members of the San Mateo peasant community with the support of the Federal Republic of Germany.
Una cancha para San Mateo
1981
A Peruvian-German documentary about the gold fever in the Peruvian jungle and the life of the gold diggers.
Oro en Madre de Dios
1983
A Peruvian-German documentary about the gold fever in the Peruvian jungle and the life of the gold diggers.
Oro en Madre de Dios
1983
Record of the life of the Yuyachkani theater group, its component actors and the works they present. Commissioned by the GDR.
Yuyachkani: Soy tu pensamiento
1987
NRThe technique of making totora reed rafts.
Balsa y Balsita
1983
Regarding the work of the Christian peasantry of Bambamarca, who together carry out works that benefit the community.
Hacemos nuestro puente
1980
NRNo synopsis available yet.
Made in USA
1975
NRNo synopsis available yet.
Made in USA
1975
