Kiko Dinucci

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

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“Grupo Corpo pela Música” is a documentary about the original Brazilian musical production created by the dance group from Minas Gerais over its 45-year history. In parallel with the production of its shows, Grupo Corpo has been consolidating a creative space for original Brazilian music, thus building a musical collection that marks its trajectory and that of the artists involved.

Released in 1966 by Vinicius de Moraes and Baden Powell, the record Os Afro-Sambas is one of Brazil's most revered. Participants of the original recording, critics, friends and family of the musicians revisit the creation of this masterpiece. Filmed between Salvador and Rio, the documentary brings together archive footage and exclusive interviews with Maria Bethânia, Dori Caymmi, Russo Passapusso and Nelson Motta. A tribute to a classic that transformed Brazilian music.

To start again, one has to destroy.

Dance of Calabash - Exu in Brazil is an poetic investigation on the African divinity Exu in the brazilian imaginary. Alongside other Yoruba Gods, Exu was brought to Brazil by the slaves and became demonized during the colonial period, when catholic missions in Africa and in Brazil concealed its original attributes. In Africa, Exu was viewed as the beginning of life, the force that moved bodies, the lord of the paths and cross-roads. It was the main link between the dead and the gods. For the Christians, it became the personification of evil, due to its falic symbol and astute behaviour. Directed by Kiko Dinucci, the movie investigates the different African-brazilian religions, such as candomblé (Nagô, Gege and Bantu traditions), Tambor de Mina, Umbanda and Quimbanda. Special appearances of priests, clergyman and scholars.

Dance of Calabash - Exu in Brazil is an poetic investigation on the African divinity Exu in the brazilian imaginary. Alongside other Yoruba Gods, Exu was brought to Brazil by the slaves and became demonized during the colonial period, when catholic missions in Africa and in Brazil concealed its original attributes. In Africa, Exu was viewed as the beginning of life, the force that moved bodies, the lord of the paths and cross-roads. It was the main link between the dead and the gods. For the Christians, it became the personification of evil, due to its falic symbol and astute behaviour. Directed by Kiko Dinucci, the movie investigates the different African-brazilian religions, such as candomblé (Nagô, Gege and Bantu traditions), Tambor de Mina, Umbanda and Quimbanda. Special appearances of priests, clergyman and scholars.

Two wandering characters walk through a city ravaged by real estate speculation looking for movie theaters in downtown São Paulo, but only find evangelical churches, porn theaters, parking lots and ruins.

Two wandering characters walk through a city ravaged by real estate speculation looking for movie theaters in downtown São Paulo, but only find evangelical churches, porn theaters, parking lots and ruins.