Mariano Goldgrob

A tour of the ENERC and the people who make it up, telling the importance of the institution and Argentine cinema, and what it means to each of them.

Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost. The film explores several love stories, both heterosexual and homosexual, in different pasts and presents, focusing on memory and what might have happened.

In Buenos Aires, during the 90s, the Pequeña Orquesta Reincidentes (Reincidents Small Orchestra) emerged. Through an 18-year career and 7 released albums, the group built a particular style of rock, appropriating distant sounds to achieve an absolute River Plate identification. ¿Qué sois ahora? try to leave testimony of that journey; of its political and cultural coordinates, of the relationships and the work traversed by the passage of time.

Former lovers randomly find each other, and start to catch up, walking in the Buenos Aires night.

"Mono" is an experimental documentary about a generational renewal in the Argentine music scene. Twelve new gangs -Los Álamos, El mató a un policía motorizado, Bauer, Los Kahunas, Los Cuzcos, Brian Storming, Norma, Pablo Reche, Turpentine, Hacia Dos Veranos, Los Peyotes y McFly- and their audience, were filmed for six months in long sequence shots, during his recitals in different Argentine cities. No need for interviews, no words ... just the search for the ideal frame for each situation, strident music and the power of the live.