Rafael Antonio Pinto

No synopsis available yet.

Barbara is a fanciful drag queen who steals a valuable briefcase and runs to the plains. He crosses path with Sixto, a young farmer escaping from a drug lord. They join in a dangerous journey through harsh lands and their relationship grows from conflict and mistrust into an particular friendship.

1, 2 y 3 Mujeres addresses the issue of women and their relationship with their social and geographical environment from different perspectives and aesthetic proposals through the stories of Eloína, Rosario and Gregoria. Eloína shows the greatness and value of assuming certain positions in the role of mother. Rosario exposes the experience of candor to the woman in the context of loneliness and Gregoria shows weakness versus strength and impetus in decision making to guarantee emotional stability.

Adolescent and from a modest neighborhood, Ana has spent her years in front of a sewing machine, working to support her two younger brothers and silently enduring the abuse of a pervert stepfather and an indifferent mother. Her hearing impairment has made marginalized her in a world that refuses to listen to her, becoming her in an object of use of who are around her. Unable to resign herself that her brothers will suffer the same fate, Ana decides to save them, embarking on a trip to freedom.

No synopsis available yet.

Barbara is a fanciful drag queen who steals a valuable briefcase and runs to the plains. He crosses path with Sixto, a young farmer escaping from a drug lord. They join in a dangerous journey through harsh lands and their relationship grows from conflict and mistrust into an particular friendship.

1, 2 y 3 Mujeres addresses the issue of women and their relationship with their social and geographical environment from different perspectives and aesthetic proposals through the stories of Eloína, Rosario and Gregoria. Eloína shows the greatness and value of assuming certain positions in the role of mother. Rosario exposes the experience of candor to the woman in the context of loneliness and Gregoria shows weakness versus strength and impetus in decision making to guarantee emotional stability.

Adolescent and from a modest neighborhood, Ana has spent her years in front of a sewing machine, working to support her two younger brothers and silently enduring the abuse of a pervert stepfather and an indifferent mother. Her hearing impairment has made marginalized her in a world that refuses to listen to her, becoming her in an object of use of who are around her. Unable to resign herself that her brothers will suffer the same fate, Ana decides to save them, embarking on a trip to freedom.