Directing

Prathap Joseph

Known for

Directing

Credits

10 titles

Known for

When Two Kiss poster
NR

To kiss in the open or behind the doors is a matter of personal choice. But when one of the finest of the emotions turns out to be a cause for commotion, some serious thoughts are the need of the hour.

When Two Kiss

2017

Maoist poster
NR

A motley group of musicians, actors, locals and film crew takes shelter in an abandoned labour camp when they came to the woods for shooting a music album. When the shooting goes on the actor who plays the lead role is missing.

Maoist

—

Oru Rathri Oru Pakal poster
4.0

Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.

Oru Rathri Oru Pakal

2019

52 Seconds poster
NR

No synopsis available yet.

52 Seconds

2017

No artwork available
NR

A feature film without dialogue and music. “If the man lives in tears and laughter Becomes a mere machine Will you change into a desolate drainage, Mother river, Perar?” Edassery Govindan Nair Kuttippuram Bridge (poem) Bharathappuzha or Perar is the longest river in Kerala. Edassery Govindan Nair wrote the poem Kuttippuram Palam (Kuttippuram Bridge) in 1954 when a bridge was built across the river. In the poem, he shared the anxieties about modernity and mechanization and foretold the death of the river and the river born culture. This film is not an adaptation or a retelling of the poem, but certainly inspired by it.. This film tries to reveal a day in the lives of a medical representative commutes across the Kuttippuram Bridge, a photographer taking the shots of the river, a man distributing mineral water on the banks of the river. The bridge becomes a symbol of the superficial life we live.

Kuttippuram Palam

—

Behind the camera

When Two Kiss poster
NR

To kiss in the open or behind the doors is a matter of personal choice. But when one of the finest of the emotions turns out to be a cause for commotion, some serious thoughts are the need of the hour.

When Two Kiss

2017

When Two Kiss poster
NR

To kiss in the open or behind the doors is a matter of personal choice. But when one of the finest of the emotions turns out to be a cause for commotion, some serious thoughts are the need of the hour.

When Two Kiss

2017

Maoist poster
NR

A motley group of musicians, actors, locals and film crew takes shelter in an abandoned labour camp when they came to the woods for shooting a music album. When the shooting goes on the actor who plays the lead role is missing.

Maoist

—

Maoist poster
NR

A motley group of musicians, actors, locals and film crew takes shelter in an abandoned labour camp when they came to the woods for shooting a music album. When the shooting goes on the actor who plays the lead role is missing.

Maoist

—

Oru Rathri Oru Pakal poster
4.0

Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.

Oru Rathri Oru Pakal

2019

Oru Rathri Oru Pakal poster
4.0

Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.

Oru Rathri Oru Pakal

2019

52 Seconds poster
NR

No synopsis available yet.

52 Seconds

2017

No artwork available
NR

A feature film without dialogue and music. “If the man lives in tears and laughter Becomes a mere machine Will you change into a desolate drainage, Mother river, Perar?” Edassery Govindan Nair Kuttippuram Bridge (poem) Bharathappuzha or Perar is the longest river in Kerala. Edassery Govindan Nair wrote the poem Kuttippuram Palam (Kuttippuram Bridge) in 1954 when a bridge was built across the river. In the poem, he shared the anxieties about modernity and mechanization and foretold the death of the river and the river born culture. This film is not an adaptation or a retelling of the poem, but certainly inspired by it.. This film tries to reveal a day in the lives of a medical representative commutes across the Kuttippuram Bridge, a photographer taking the shots of the river, a man distributing mineral water on the banks of the river. The bridge becomes a symbol of the superficial life we live.

Kuttippuram Palam

—

No artwork available
NR

A feature film without dialogue and music. “If the man lives in tears and laughter Becomes a mere machine Will you change into a desolate drainage, Mother river, Perar?” Edassery Govindan Nair Kuttippuram Bridge (poem) Bharathappuzha or Perar is the longest river in Kerala. Edassery Govindan Nair wrote the poem Kuttippuram Palam (Kuttippuram Bridge) in 1954 when a bridge was built across the river. In the poem, he shared the anxieties about modernity and mechanization and foretold the death of the river and the river born culture. This film is not an adaptation or a retelling of the poem, but certainly inspired by it.. This film tries to reveal a day in the lives of a medical representative commutes across the Kuttippuram Bridge, a photographer taking the shots of the river, a man distributing mineral water on the banks of the river. The bridge becomes a symbol of the superficial life we live.

Kuttippuram Palam

—

No artwork available
NR

A feature film without dialogue and music. “If the man lives in tears and laughter Becomes a mere machine Will you change into a desolate drainage, Mother river, Perar?” Edassery Govindan Nair Kuttippuram Bridge (poem) Bharathappuzha or Perar is the longest river in Kerala. Edassery Govindan Nair wrote the poem Kuttippuram Palam (Kuttippuram Bridge) in 1954 when a bridge was built across the river. In the poem, he shared the anxieties about modernity and mechanization and foretold the death of the river and the river born culture. This film is not an adaptation or a retelling of the poem, but certainly inspired by it.. This film tries to reveal a day in the lives of a medical representative commutes across the Kuttippuram Bridge, a photographer taking the shots of the river, a man distributing mineral water on the banks of the river. The bridge becomes a symbol of the superficial life we live.

Kuttippuram Palam

—