Litza Bixler

The story of a woman who's inability to end a relationship causes her belly button to mutate, not to mention her mind.

The rough-and-tumble world of politics is brought to visceral life in a dance film that explores the performed self, social masks and whether there is an ‘authentic’ self beneath them. Inspired by ‘The Green Table’ (Kurt Jooss) and set in a smoky, hyper-masculine gentleman’s club; dancers move into and out of tableaux; they gesture emphatically; they fight and they fall as they argue and ultimately refuse to budge. A woman occasionally appears at the edge of frame, dancing soulfully in the margins. But no matter how hard she tries, she cannot break in or through. Masks All the Way Down epitomizes microbudget filmmaking with a budget totaling less than one thousand USD. The film was shot in a historic parlor on the University of Wisconsin–Madison campus. All of the performers were undergraduate-level students from the Dance Department. The film demonstrates that despite modest means, artistic devotion and resourcefulness can produce high-quality results.

Renowned choreographer Litza Bixler, who is best known for her work in films such as Shaun of the Dead and The World's End, brings her singular vision to bear in this collaboration with Univeristy of Wisconsin - Madison students about the relationship between geography and identity.